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Installing Cavemanman

A hybrid of dorm room, al-Qaeda cave, hermit’s lair, philosopohical nerve center, and subterranean beer-drinking hideout, Thomas Hirschhorn’s installation Cavemanman is taking shape in Galleries, 4, 5 and 6 for next weekend’s opening of Heart of Darkness: Kai Althoff, Ellen Gallagher and Edgar Cleijne, Thomas Hirschhorn. Nearly complete, the winding tunnel–made of wood, cardboard, and […]

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A hybrid of dorm room, al-Qaeda cave, hermit’s lair, philosopohical nerve center, and subterranean beer-drinking hideout, Thomas Hirschhorn’s installation Cavemanman is taking shape in Galleries, 4, 5 and 6 for next weekend’s opening of Heart of Darkness: Kai Althoff, Ellen Gallagher and Edgar Cleijne, Thomas Hirschhorn. Nearly complete, the winding tunnel–made of wood, cardboard, and packing tape–is lit by blinding fluorescent lights and decorations including posters of Che Guevara and a topless Pamela Anderson, wall clocks showing time zones in various cities, videos showing other caves, and filled trash bags. The installation completely transforms a gallery where just a few weeks ago Diane Arbus’ photography appeared in a clean, solemn, museum-y space. The effect, even half-finished, as I experienced it today, is remarkable. As the Village Voice commented when the artist installed the piece in 2002:

There’s a primal satisfaction in walking into a haughty, high-stakes, white-cube Chelsea gallery to find that you’ve entered a messy, makeshift cave. The cavernous labyrinth of lumpy tunnels, nooks and crannies, rocky pathways, and culs-de-sac, all clumsily made of cardboard, aluminum foil, and miles of shiny mud-brown wrapping tape, is preposterous, slapdash, sort of womb-like, and vaguely intestinal. Its bumpy ground is littered with very fake rocks. Cans of Sprite and Coca-Cola litter the floor and overflow from gold foil garbage cans. Xeroxed pages from books about justice and democracy are taped to the walls. And in addition to us transient viewers, stumbling along its paths disoriented and bemused, the five-room cave is inhabited by clusters of aluminum foil figures and foil-wrapped shopwindow mannequins, who are linked by foil cords to make-believe explosives or books. Hostages or terrorists, throwbacks to the past or refugees from the future, these figures also evoke, quite by chance, the recent episode in a Moscow theater, but Cavemanman was in the works long before that site of cultural production was overtaken or stormed. The slogan scrawled repeatedly on the cave’s walls, “1 man = 1 man,” has to do not with terror but with absolute equality.

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Hear Hirschhorn speak at a free gallery talk tonight, and while you’re here don’t miss our other cave, a winding hilly path only wide enough for one lantern-bearing visitor to navigate at a time, installed in the exhibition Cameron Jamie (closing October 22).

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  • Chema says:

    Hi, i’m reading your excellent blogs from Spain using an RSS reader, congrats. just a comment off the record: could you please check “For each article, show: Full text” under Options-Writing in your admin panel? that would ease the reading a lot to those ones that use a RSS reader, thanks a lot! promise a comment content-related next time.

  • Paul Schmelzer says:

    Absolutely, Chema. Thanks for the tip.