Check out some of the films that will be shown on Saturday at the All City Youth Film Festival. You may be able to see them on youtube, but come on, what’s better a crappy low-res youtube video or a full screen version in the Walker Cinema?
Karma by Hannah Bates
Writing Backwards by Jack Anderson
Dutch artist Theo Jansen demonstrates his amazingly lifelike kinetic sculptures, built from plastic tubes and lemonade bottles. His “Strandbeests” (Beach Creatures) are built to move and even survive on their own.
Here’s a really great community art project by Jorge Rodriguez-Gerada that was recently posted on wooster.
This project reminds me of Harrell Fletcher’s “These Fine People (1998)” and “Some People…’(1998). Check it out below.



Recently WACTAC got the chance to visit Burlesque of North America’s design and printing studio, as well as being able to interview one of their members, Mike Davis. Burlesque is a collective of artists and graphic designers best known for their poster and album cover work with a multitude of musicians. Watch the video to learn more, and don’t be afraid to visit www.burlesquedesign.com
So you’re feeling kinda lame. You just realized that your supposed A to Z music selection is really just Ashanti to XZibit. What happened to originality? Well 50 Cent killed it. Yeah that’s right, I said it what are you going to do about it? Well look no further, well actually look south. Whether its Cumbias, Punketon, Regaton, or you just have no idea what the hell I just said, Mexican Hip/Hop and Rap is alive and well. Better known acts such as Molotov have pierced the American market, while other (and very lame) chicano groups like Daddy Yankee have also left their print in the mainstream music scene. One group though, Control Machete, remains in relative obscurity here in the US of A even as it has gained rabid notoreity in “Mejico” and everything south of it.
Known for their driving beats, and accessible lyrics that deal with anything from Mexican politics to life in northern Mexico, Control Machete is basically accessible to anyone who doesn’t know who Spiro Agnew or Miguel de La Madrid was.