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	<title>Comments on: Bookshelf: By Hand</title>
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	<link>http://blogs.walkerart.org/offcenter/2006/11/15/bookshelf-by-hand/</link>
	<description>Just another Walker Blogs weblog</description>
	<lastBuildDate>Tue, 17 Nov 2009 09:54:57 -0600</lastBuildDate>
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		<title>By: melissa</title>
		<link>http://blogs.walkerart.org/offcenter/2006/11/15/bookshelf-by-hand/comment-page-1/#comment-483</link>
		<dc:creator>melissa</dc:creator>
		<pubDate>Thu, 17 Jan 2008 17:54:01 +0000</pubDate>
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		<description>This is a perfect way of defacing racist personalities of colonial history who are remembered to this day as contributors to society.  Thanks for the idea.

cheers from Halifax, NS.</description>
		<content:encoded><![CDATA[<p>This is a perfect way of defacing racist personalities of colonial history who are remembered to this day as contributors to society.  Thanks for the idea.</p>
<p>cheers from Halifax, NS.</p>
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		<title>By: Courtney Strimple</title>
		<link>http://blogs.walkerart.org/offcenter/2006/11/15/bookshelf-by-hand/comment-page-1/#comment-482</link>
		<dc:creator>Courtney Strimple</dc:creator>
		<pubDate>Tue, 31 Jul 2007 00:39:57 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.walkerart.org/offcenter/?p=571#comment-482</guid>
		<description>Mixed Greens gallery in New York City represents Rob Conger&#039;s work.  You can either check it out on our website (www.mixedgreens.com), or stop by the gallery to see his work in person.  531 West 26th Street, 1st floor, NYC.  Feel free to call or email with questions:  info@mixedgreens.com  212.331.8888.  Hope this was helpful!</description>
		<content:encoded><![CDATA[<p>Mixed Greens gallery in New York City represents Rob Conger&#8217;s work.  You can either check it out on our website (www.mixedgreens.com), or stop by the gallery to see his work in person.  531 West 26th Street, 1st floor, NYC.  Feel free to call or email with questions:  <a href="mailto:info@mixedgreens.com">info@mixedgreens.com</a>  212.331.8888.  Hope this was helpful!</p>
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		<title>By: Paul</title>
		<link>http://blogs.walkerart.org/offcenter/2006/11/15/bookshelf-by-hand/comment-page-1/#comment-481</link>
		<dc:creator>Paul</dc:creator>
		<pubDate>Mon, 20 Nov 2006 20:11:39 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.walkerart.org/offcenter/?p=571#comment-481</guid>
		<description>No idea, but I&#039;ll dig around online.</description>
		<content:encoded><![CDATA[<p>No idea, but I&#8217;ll dig around online.</p>
]]></content:encoded>
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	<item>
		<title>By: dta</title>
		<link>http://blogs.walkerart.org/offcenter/2006/11/15/bookshelf-by-hand/comment-page-1/#comment-480</link>
		<dc:creator>dta</dc:creator>
		<pubDate>Thu, 16 Nov 2006 14:11:31 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.walkerart.org/offcenter/?p=571#comment-480</guid>
		<description>Wow.  Any idea as to where we can see some of Conger&#039;s work in person?</description>
		<content:encoded><![CDATA[<p>Wow.  Any idea as to where we can see some of Conger&#8217;s work in person?</p>
]]></content:encoded>
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		<title>By: MC Dildey</title>
		<link>http://blogs.walkerart.org/offcenter/2006/11/15/bookshelf-by-hand/comment-page-1/#comment-479</link>
		<dc:creator>MC Dildey</dc:creator>
		<pubDate>Wed, 15 Nov 2006 21:54:31 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.walkerart.org/offcenter/?p=571#comment-479</guid>
		<description>The first instance I&#039;d ever heard of using &quot;craft&quot; techniques in the fine art context was Judy Chicago&#039;s &quot;Dinner Party&quot; which not only used different stichery methods (for the table runner at each place setting) and porcelain painting (for, obviously, the plates) but also used &quot;crafters&quot; themselves to do much of the stichery.  It was a commentary on gender issues in fine art in an era consumed with, among other issues, gender equality.</description>
		<content:encoded><![CDATA[<p>The first instance I&#8217;d ever heard of using &#8220;craft&#8221; techniques in the fine art context was Judy Chicago&#8217;s &#8220;Dinner Party&#8221; which not only used different stichery methods (for the table runner at each place setting) and porcelain painting (for, obviously, the plates) but also used &#8220;crafters&#8221; themselves to do much of the stichery.  It was a commentary on gender issues in fine art in an era consumed with, among other issues, gender equality.</p>
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