New Media Initiatives Blog

Technology at the Walker Art Center

Part of: blogs.walkerart.org

 
by Justin Heideman at 7:30 pm 2008-04-08
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Resolving one of the great mysteries of the web 2.0, Flickr has added video capabilities! Finally, the best photo sharing site on the web has what iPhoto could do two years ago, and what YouTube has been doing since day one. As John Gruber so accurately put this:

Why Yahoo didn't do this immediately after acquiring Flickr, instead choosing to stand on the sidelines playing pocket pool while YouTube swelled into a multi-billion-dollar product, is a mystery for the ages.

From what I can tell, it’s note entirely a shot off of YouTube’s bow, but it could be. The video quality is much, much better. It looks like they’re using the On2 VP6 codec, which has quite good quality. YouTube, on the other hand is using the ancient h.263 codec that looks straight out of 1999. At 150mb for a 90 second file, there are some limitations, but the quality can be excellent. There’s no API yet for video, but I would expect that to be coming soon.

The difference from YouTube, is that, at least right now, only users who have gotten over the big hurdle of paying $25 for a pro account can use it. This will keep a lot of people away, but if you’re a savvy flickr user, that’s probably not a bad thing. Expect to still see mash-ups and other more pop-culture stuff on YouTube, and video of people’s vacation on flickr. However, it lights more of a fire on YouTube to add some much needed polish.

Flickr’s video player interface fits in very nice with the look of the site. It also looks like a a lot like Vimeo, which has alway seemed to me the most flick-inspired web video solution. This probably hurts them more than anyone.

Here’s a sample video on flickr:

This has me excited.

 

Just when you were starting to think we should be retiring the term “Web 2.0″, Nina Simon of Museum 2.0 comes along to remind us that we’ve largely forgotten what it really means. It is not, for instance, flashy AJAX - or at least, not exclusively. It is not just user comments. Web 2.0, as originally fleshed out by Tim O’Reilly, remains an incredibly cool idea to strive for.

Her online preview of a presentation she’ll give Monday is a fantastic reminder of what Web 2.0 is and what it means for museums — most importantly, the gentle nudge that it doesn’t have to be online to be Web 2.0. I for one am kind of excited by the idea of an exhibition in “perpetual beta,” growing and evolving on the floor, rather than a static and final “release.” Or even something that mixes both worlds, like Brooklyn’s Click exhibition.

If “Web 2.0″ has lost its luster for you, you owe it to yourself to watch and listen to her presentation. It will remind you why it still matters.

 
by Nate Solas at 10:10 am 2007-11-02
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opensocial.pngBuilding on the success of Google Gadgets (which allow developers to make small web “applets” suitable for embedding on any webpage), Google has just launched their OpenSocial API. Basically they’ve extended the functionality of Gadgets to include code that can “talk to” participating social networks — that is, a developer now has access to the user’s profile, friend list, and much more.

This is important because it means application developers no longer have to choose which social networks they want to target. They just write their application using the JavaScript APIs provided by Google, and it will “just work” for everyone on a participating network. And it’s a big and growing list: MySpace, Orkut, LinkIn, Friendster, and - importantly - the create-your-own-social-network Ning, just to name a few. Cool stuff.

There are currently 23000 gadgets listed in the directory. After today I wonder how many of those are now in line to have some social features added and massively increase their exposure?

The Walker doesn’t have any social network apps just yet, but when we do I guarantee they will be built using this API. Maybe a Hot Or Not of contemporary art? Hmm. Or see what your friends thought of the Frida show! Or mnartists.org should copy this great idea… Could be huge!

 
by Justin Heideman at 11:29 am 2007-10-22
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Last week, after quite a bit of work, the re-designed teens site went live:

new_teens_thumb.jpg
(larger screenshot)

In discussing what a new site might be like with Witt, Christi and WACTAC, we came to the conclusion that the types of content we wanted to be on the site didn’t have a very clear relationship to each other, and that the audiences for each are different. There is, in effect, a “business audience”, which is visiting the site looking for information on what Teen Programs is, what they do, how to apply, etc. This audience most likely consists of parents, other museum professionals, and Teens looking to apply to WACTAC. The other audience are other teens, or others interested in what the teens are interested in. The new site literally divides the page in half for each of these audiences.

“The business side of things” is a simple information based site, loosely based on the look and feel artistic program sites. The layout was adapted somewhat to fit better into the dynamic space of the Teens site, but the style is the same. “The play side of things” is where the teens make their mark by posting blog entries, artwork, links and events. There are several different ways that WACTAC makes this page theirs:

  • Blogging: the site’s back-end is WordPress, so blogging is built-in. Every teen in WACTAC now has an account, and Witt is working with the council to cultivate ideas that can be formed into posts.
  • Links, for when the teens find something that isn’t quite worthy of an entirely new blog post, but maybe deserves a short note and a link, we’ve got that covered too. The links are culled from del.icio.us via RSS feed. Right now we use a shared wactac account, but in the future, and should any of the teens want to have their own del.icio.us account, a network can be set up and we can pull a combined feed.
  • Events are highly important to the site as well, and these are pulled via RSS from a shared account on Upcoming.org. We wanted the teens to be able to not only highlight their events at the Walker, but non-WACTAC Walker events as well as non-Walker events. I looked into several systems to essentially create a group calendar, and using Upcoming in this way seemed the easiest. It is essentially a social bookmarking service like del.icio.us, except it deals with the temporal and location based data that an event has. The time and location is in the RSS feed, which makes it a cinch to pull and display.
  • Art from the teens and other people that have influenced them will also be on the site. For the time being, this section is a category within the blog that gets special treatment. Images posted here are displayed in a larger size using a lightbox clone. Down the road, depending on how much this is used, we might consider replacing this with flickr. We’re using yahoo services for everything else, so why not make it complete?
  • Customizing the interface is one of the features of the site that I think makes this page really the teen’s space. Much like myspace, the teens can customize the colors, text, and background of this side of the site. Unlike myspace, they don’t edit the CSS themselves. Instead, the theme includes an admin panel that allows the teens to pick the colors for the boxes and text, as well as change the header and background images. I’m using a handy color picker based on mootools to make it easy to use.

This is the most “dynamic” site I’ve built so far, and I re-learned a lot about using javascript, especially with the Mootools framework. The hyper-object-oriented nature of JS + moo is both confusing and extremely powerful. For a javascript framework, mootools is quite compact and does a lot. There are also quite a few classes and user-contributed scripts out there based on it. In addition to the color picker mentioned above, the business side of things uses a heavily modified version of SmoothGallery. This article on “The Hows and Whys of Degradable Ajax” was also helpful in figuring out how to do the ajax loading on the business side of things in a semi-accessible fashion.

There are other things in the works for the site, including a Facebook app and perhaps a MySpace widget. That is the subject for another day, however.

If you’re looking for the old site, it still exists in archived form: Arhived Walker teens website.

 

Starry Night Myspace Remixed Al Gore, Three Big Displays The Impact of Large Scale Integrated Displays on Architecture and Urbanism

  • Teddy Banks, writing for Design Observer, shares some commentary on Olia Lialina’s newest article: Vernacular Web 2. The article is a great read on it’s own, and as Banks tells us, should be a must read for every web designer. Lialina’s work, My boyfriend came back from the war, was featured in the Walker’s online exhibit, Beyond Interface: net art and Art on the Net.

    Lialina touches on the similarties of myspace of today and the web of 10 years ago. Instead of being designed by computer geeks, it’s “designed” by teens and ameteurs, and the music is mp3s and not midi.

  • And speaking of MySpace, Danah Boyd has some new thoughts posted on myspace and remix culture. Seb Chan offers some thoughts on what this means for institutions that offer graphics and resources that can be remixed (legitimately or otherwise).
  • Here’s an interesting article on the paradox of large displays, written by Jeff Attwood. He quotes Dan’s Data:

    Users of 30-inch monitors face the terrible, terrible problem of how to effectively use all of that space. You don’t often want to maximise a folder or document window on a screen this big; either you’ll end up with a lot of white space and important program buttons separated by a vast expanse of nothing, or you’ll get lines of text 300 or more characters long, which are difficult to read.

    I use three displays at work, two on my main computer and one on the laptop. While synergy makes this a very useful setup when doing video work, it can also be extrmely distracting at times. I find it necessary to sleep my laptop so I can focus on important tasks on my main displays.

  • Interactive Architecture had been quiet for a while, but they posted a brief blurb on a conference going on next week that will discuss the many implications of signage in public space. Hopefully some of the papers and presentations from the conference will make it to the web.
 
by Justin Heideman at 10:41 am 2007-06-25
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Danah Boyd has a really good look at the social divisions that are emerging in the use of Facebook and MySpace:

The goodie two shoes, jocks, athletes, or other “good” kids are now going to Facebook. These kids tend to come from families who emphasize education and going to college. They are part of what we’d call hegemonic society. They are primarily white, but not exclusively. They are in honors classes, looking forward to the prom, and live in a world dictated by after school activities.

MySpace is still home for Latino/Hispanic teens, immigrant teens, “burnouts,” “alternative kids,” “art fags,” punks, emos, goths, gangstas, queer kids, and other kids who didn’t play into the dominant high school popularity paradigm. These are kids whose parents didn’t go to college, who are expected to get a job when they finish high school. Teens who are really into music or in a band are on MySpace. MySpace has most of the kids who are socially ostracized at school because they are geeks, freaks, or queers.

She also discusses the role that aesthetics play in this breakdown:

This is even clear in the blogosphere where people talk about how gauche MySpace is while commending Facebook on its aesthetics. I’m sure that a visual analyst would be able to explain how classed aesthetics are, but it is pretty clear to me that aesthetics are more than simply the “eye of the beholder” - they are culturally narrated and replicated. That “clean” or “modern” look of Facebook is akin to West Elm or Pottery Barn or any poshy Scandinavian design house (that I admit I’m drawn to) while the more flashy look of MySpace resembles the Las Vegas imagery that attracts millions every year. I suspect that lifestyles have aesthetic values and that these are being reproduced on MySpace and Facebook.

I should note here that aesthetics do divide MySpace users. The look and feel that is acceptable amongst average Latino users is quite different from what you see the subculturally-identified outcasts using. Amongst the emo teens, there’s a push for simple black/white/grey backgrounds and simplistic layouts. While I’m using the term “subaltern teens” to lump together non-hegemonic teens, the lifestyle divisions amongst the subalterns are quite visible on MySpace through the aesthetic choices of the backgrounds.

This lines right up with what I found when I talked to some of the WACTAC teens a few months ago. I’m still contemplating what this means for a museum, or any institution that wants to reach audiences. We need to be all-access and blind to class lines. Yet, at the same time, there is also a drive to maintain the and re-enforce the image (brand) of the institution itself.

It may all be moot, though, because some people tend to think that there is a saturation point for all this social networking / web 2.0 activity, and it is quickly being approached.

Roger Dooley at Futurelab:

…the rising tide of total time spent online (number of users and hours per users) has lifted a lot of boats, but inevitably online activity will become a zero sum game. People who spend more time on one activity will cut back other online participation by the same amount.

and Steve Rubel at Micro Persuasion:

However, there is definitely a bubble and therefore a crash coming. It's not financial. It's not related to the level of noise or startups. This crash is personal. We are reaching a point where the number of inputs we have as individuals is beginning to exceed what we are capable as humans of managing. The demands for our attention are becoming so great, and the problem so widespread, that it will cause people to crash and curtail these drains. Human attention does not obey Moore's Law.

I think the lessons are clear, extend beyond social networking, and can be easy to implement. Don’t try to grow a community where one doesn’t exist. Go to where the community already is. Make the information that users want free of any sort of restrictions. Don’t make me sign up for an account, everyone I already have too many. Don’t make me give you my email, I already get enough junk. Let me as the user choose how much I want to interact, and reduce all possible barriers to interaction.

 
by Justin Heideman at 9:10 am 2007-04-24
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The Walker on Myspace

Prior to heading to MW2007, I sat down with some of the WACTAC teens to discuss Myspace, Facebook and social networking in general. I thought I had a good handle on things (since I have, in fact, used Myspace). I figured a talk with the experts would fill in any gaps I was missing.

Download Social Networking Discussion MP3

Much of what I learned is interwoven in the notes I prepared for our workshop at MW2007. Here are some of the highlights, according to WACTAC:

  • Myspace is old news
  • Facebook is where all the cool kids are
  • Some kids don’t even use email these days, sticking to myspace or facebook
  • Kids consume a lot of media, therefore use a lot of media
  • When multiple people add content to social accounts for institutions, let people know who’s doing the update
  • Don’t use a different account for different departments
  • Make groups and encourage people to join
  • Make use of bulletins and notes
  • Keep things up to date, nothing is worse than an out of date profile or events

The big thing that I took away from our chat was that it seems that Facebook is becoming the favorite among more technically savvy users. It seems due to the more refined design and permissions system that it enforces. So all the web designers who hate myspace because it is ugly can rejoice; smart users are shying away. Facebook is also more strict about who can create and hold an account. I heard from some people at MW2007 that their attempts to create a “person” for their institution were rebuffed, and they were forced to create a group instead. While that doesn’t fit with the paradigm that has happened within other social Web 2.0 applications, it does seem to be one that is more sustainable for users in the long run.

I just created a Walker Art Center group on Facebook. The acebook APIs seem interesting, and something Myspace does not offer to my knowledge. It is something I might play around with in the future.

Please note that this is a rough cut and basically unedited. I am adhering to the “quick and dirty” principles we discussed in our workshop. A big thanks to the teens that participated in the discussion:

  • Willy Schwartz
  • Basanti Miller
  • Mark Severson
  • Ricardo Ortiz-Vasquez

Also thanks to Witt Siasoco and Megan Leafblad for setting the discussion up.

 

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