Below, you’ll find mnartists.org’s 20 most-read articles of 2013 — just a sampling of more than 125 original, longform essays, interviews, profiles and reviews we published in the homepage arts magazine last year. Compiling this list, I’m struck by the rapid growth of readership for the site’s journalism in recent months. Our most-read pieces routinely garner thousands of page-views these days — and those are numbers that, for us, were exceptional just a few years ago. That’s thanks to our stable of talented arts journalists and critics, of course, not to mention Minnesota’s wealth notable creative work for them to write on. But it’s also thanks to you, mnartists’ engaged community of artists and arts audiences who take the time, not only to read local arts journalism, but to contribute to the conversations therein, commenting on and sharing those articles with friends via platforms like Facebook and Twitter thereby extending their reach well beyond our state’s borders. And that doesn’t just broaden the audience for mnartists’ published writing, it also raises the visibility of the art and artists whose work is covered. So, thanks for reading — and stay tuned, would you? There’s so much more good stuff to come in 2014.
Surly puts architecture to work building its brand: Camille LeFevre’s report on HGA Architects’ design plans (and resulting critical blowback) for Surly Brewing’s new destination brewery in Minneapolis was our most-read essay of 2013. In her piece, she makes the case that the plan’s detractors got it all wrong: the bunker-like, Brutalist design is the perfect fulfillment of Surly’s image and brand.
A history of Cabin Time: Kevin Buist profiled the tight-knit group of Midwestern artists behind the now-internationally-known project, Cabin Time. It began with some Michigan creatives, snowed in together on a vacation getaway Up North. They made the best of their situation – building campfires, taking hikes, sharing meals and making art with the materials at hand. They also documented everything — and a scrappy, nomadic, thoroughly 21st-century artist residency was born.
Behind the scenes of the closing of the College of Visual Arts: Camille LeFevre dug behind the official talking points about the school’s closing, speaking to CVA’s interim president, faculty and alumni about the college’s money troubles, sinking enrollment, and community concerns about management, plus grassroots efforts to save CVA.
Samantha French, escape artist: Jay Orff considers MN-to-NYC artist Samantha French’s bright, Impressionistic paintings of a summer idyll. He asks: When so much contemporary art seeks to shock and surprise, to push boundaries, is such an unabashedly pleasant, familiar style of work still relevant to the conversation?
The secret grace of summer camp: Thanks to Alec Soth and the Little Brown Mushroom team, a group of international artists and writers find themselves at “summer camp for socially awkward storytellers,” immersed in finding the stories hiding in plain sight within the marvelous mundanities of the Midwest – and Ira Brooker covered the story for mnartists.
Cindy Sherman and the art of making faces: Lightsey Darst reviewed January’s Cindy Sherman show at the Walker and calls it one of the most important bodies of feminist art today — but not for any of the reasons cited on the wall in didactics accompanying the artist’s retrospective.
The rise of women’s choirs: Deborah Carver profiled the burgeoning Twin Cities women’s choral scene: Prairie Fire Lady Choir, Twin Cities Women’s Choir and Nona Marie’s Anonymous Choir.
Nice Fish and an interview in two acts: Connie Wanek spoke with poet Louis Jenkins and Tony Award-winner Mark Rylance last fall, about their collaboration on the play, Nice Fish, and its evolutions from page to stage, as they began preparations for the Guthrie’s world premiere of the production last spring. (And here’s part two of her profile, on the process of casting for the show.)
Art that dared you to participate: Nathan Young reviewed the sculpture exhibition, Resonating Bodies, at the Soap Factory this July. Specifically, his essay raises the question: If there are no labels on the wall, no readily available didactics, how does a viewer navigate oblique, conceptual art to figure out what they’re seeing? Are such roadmaps to engaging art obsolete?
The disappearance of dance curators: Both Cowles and the Southern have now forsaken curated performance seasons for rentals and bottom line-friendly shows. Walker’s dance-focused curator was recently laid off. In this essay, dance critic Lightsey Darst asks, “Are dance curators a luxury we can’t afford? Does it matter?”
More of our most-read articles and essays from 2013, including a few surprises from the archive:
“The Art Stands Alone”: Sheila Regan reviews the third Minnesota biennial at the Soap Factory — , , , curated by Art of This cofounders David Petersen and John Marks
“Confessions of a Craft Show Organizer“: Crafty Planet proprietor and No Coast Craft-O-Rama cofounder, Trish Hoskins’ 2008 piece offering tips for selling your work on the craft show circuit
“Lumber and Lutheran Grit“: Andy Sturdevant’s mnartists 2008 profile of artist Chris Larson saw a dramatic surge in readers upon the release of his new essay collection published this fall by Coffee House Press, Potluck Supper with Meeting to Follow
“The Play and Power of Women in Hip Hop“: Lightsey Darst’s 2009 essay on Intermedia Arts’ annual month-long celebration of women in hip-hop, B-Girl Be
“To Dream of a New Kind of Making“: Ann Klefstad’s review of Duluth Art Institute’s Confluence/Confluencia show, a collaborative exhibition last March by Cecilia Ramon and Carla Stetson
“Why Venus DeMars’ Art Matters More Than Her Audit“: Ira Brooker’s essay on what happens when an artist becomes a cause célèbre
“A Conversation on Painting“: Painters Joe Smith and Ruben Nusz sat down for a far-ranging conversation about self-help and primal gestures, blankets and childhood, and how to capture the unfixed, unnamed moment before language
“Artists Should Be Disappointing Sometimes“: Lightsey Darst on the Low controversy at last summer’s Rock the Garden, risk-taking dance, and the inestimable value of leaving room for artistic blunders
“Why Does Minnesota Still Go Crazy for Prince?”: Ira Brooker’s dispatch from this fall’s 2 a.m. concert at Paisley Park
“Painting a Place Between Invention and Memory“: Ann Klefstad on Duluth-based artist Scott Murphy