About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both [...]
About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both locally and abroad, including: illustrations in the Altered Esthetics Gallery (Minneapolis), the Walker Art Center blog, and multiple Red Leaf Press publications (St. Paul); visual narratives at the Adugyama Art Exhibition (Ghana, Africa) and the Save the Children Nepal Project (Nepal, India); and murals at an orphanage in Jaurez, Mexico. Samples of his work can be found at toddbalthazor.com and toddbalthazor.blogspot.com.
Balthazor also works as a guard at the Walker Art Center, and draws on his experiences behind the scenes at the museum in his weekly comic strip for mnartists.org, It Is What It Is. (Click the image above to enlarge it.)
Welcome back Art Shanty Projects, we’ve missed you. Yesterday, upon leaving the pop-up arts colony on Medicine Lake, my arts-skeptical husband sighed, “Only the Minnesota arts scene…” As I dramatically inhaled and prepared to launch into one of my arts-do-matter diatribes, he cut me off, “I meant that in a good way.” Was this skeptic [...]
Welcome back Art Shanty Projects, we’ve missed you. Yesterday, upon leaving the pop-up arts colony on Medicine Lake, my arts-skeptical husband sighed, “Only the Minnesota arts scene…” As I dramatically inhaled and prepared to launch into one of my arts-do-matter diatribes, he cut me off, “I meant that in a good way.” Was this skeptic sincerely expressing a sense of wonder and appreciation? Well done Shanty folks!
The cold temperature was the only reason we left before we had time to fully discover what all 24 shanties are about. Some highlights from our first (yes, we’ll be back) brief icy outing included:
ICE-cycle Shanty
Inside the Reflection Shanty
Waiting in line to try the Robot Reprise
Close up of the Shantyquarian (note the "I'm Old Gregg" ref.)
–The ICE-cycle Shanty offering tricked-out ice-bikes complete with animal costumes and a skate of a ski in place of a front wheel — for the more daring visitors to try out
–The Robot Reprise is innately cool even if you don’t have the time/inner body heat to wait in line for your turn to climb in and play
–The Letter Press Shanty, printing hand set newsletters daily, complete with tweets from around the web and the world that have been sent to the Shantyquarian
There were so many great projects, much more than can fit into this pithy and light-hearted blog post…
Dancy Shanty Front Door Sign
My favorite spot, however, was the Dance Shanty. Sure, it sounds straightforward: go inside and bust-a-move. So I began to think, how is this original or artistic or interesting? Then the music drew me in, the sign on the door read “Enter in Back,” just like any hip dance club, and the bumping “Whoomp! (There it is)” forced a nod of the head or bounce of the step until I was through the backdoor.
Inside the Dance Shanty
Then BAM! A full-fledged dance party underway, complete with colored lights, a DJ wearing Dwayne-Wayne-style flip-up sunglasses, and puffy-coat-clad dancers. Granted, the toddler in the snowsuit bouncing up and down to a remix of The Knife’s “Heartbeats” may have unfairly influenced my opinion (and melted my almost frozen heart).
But, when I realized that I, too, was unabashedly dancing in my Sorels, among strangers, in the middle of the day, in a temporary structure on a frozen lake, and so was my skeptical husband – well, that’s when I knew that the Dance Shanty was more than just a portable nightclub. It is an original and artistic experiment, diffusing the performer/audience boundary and exploring the art of play through music and movement, all the while making people feel good.
So bundle up (seriously, its cold) and get out there before it’s too late – the Art Shanty Projects close Feb. 5th! I’ll see you in the Dance Shanty.
Little one not too sure about the Monsters Under the Bed Shanty
View from inside the Solar Ark Shanty
Troll Sign, Nordic Village Bridge Shanty
Only for the strong-stomached, the Sit and Spin Shanty
About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both [...]
About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both locally and abroad, including: illustrations in the Altered Esthetics Gallery (Minneapolis), the Walker Art Center blog, and multiple Red Leaf Press publications (St. Paul); visual narratives at the Adugyama Art Exhibition (Ghana, Africa) and the Save the Children Nepal Project (Nepal, India); and murals at an orphanage in Jaurez, Mexico. Samples of his work can be found at toddbalthazor.com and toddbalthazor.blogspot.com.
Balthazor also works as a guard at the Walker Art Center, and draws on his experiences behind the scenes at the museum in his weekly comic strip for mnartists.org, It Is What It Is. (Click the image above to enlarge it.)
As is traditional at this annual juncture, we recently posted an idiosyncratic assortment of last year’s notable moments in the state’s arts scene, as selected by some of our favorite regular contributors to mnartists.org. If you missed it, you can find those observations here. And, as promised, we proud, few staffers of mnartists.org offer our [...]
As is traditional at this annual juncture, we recently posted an idiosyncratic assortment of last year’s notable moments in the state’s arts scene, as selected by some of our favorite regular contributors to mnartists.org. If you missed it, you can find those observations here. And, as promised, we proud, few staffers of mnartists.org offer our own “best of” picks below.
SCOTT STULEN, PROJECT DIRECTOR FOR MNARTISTS.ORG AND ARTIST
Northern Spark Festival: Developed by Northern Lights (Steve Deitz), the first Northern Spark festival animated the city from dusk to dawn with artist projects, activities and sleepy throngs of people traveling through the city streets between Minneapolis and St. Paul. There was something magical about 10K+ people packed along the Stone Arch Bridge colliding with the Chris Kallmyer directed community band to kick off the evening, the lines outside Foshay Tower to hear a sound installation on the observation deck, and small groups of writers huddled around a picnic table at 4am telling bedtime stories.
Sticks/Stones: New Paintings by Ruben Nusz at Thomas Barry fine arts: This is an amazing painting exhibition, and it does for me what the best exhibitions always do — as a painter myself, it makes me mad that the work’s just so good, and then itchy to get to work in the studio. Inspirational.
Carolyn Swiszcz, Binocular City at Bethel College, Mall Map Project at MIA and Miyako Yoshinaga Art Prospects:This was an excellent year of projects by one of my favorite local artists.
P.O.S. at SXSW: The Doomtree Blowout in December was a key moment, for both the collective and the local music scenes, but the memory that will stay with me, personally, is P.O.S. and Paper Tiger playing the SXSW conference to a room of, maybe, 20 people. They delivered a playful, professional performance to our small group, like they were playing to an audience of 2000. It was a privilege to be one of those present.
Rural America Contemporary Art (RACA) group formed by Brian Frink and others has infused an energy, voice and organization to the strong contemporary art scene in outstate Minnesota. It will be very interesting to see where they go from here.
SPCO & Cantus premiere of Nico Muhly’s Luminous Body: the music was spectacular, and I’m just so proud that we have two internationally acclaimed classical groups who use their success not only to play, but to commission new work from exciting young composers.
Most entirely fabulous theatrical experience: Mozart’sCosi Fan Tutte by Minnesota Opera, directed by Theater Latte Da’s Peter Rothstein was gorgeous in every way, from the sumptuous costumes and ingenious, spare set design to the ensemble’s soaring vocal performances.
Nautilus Music-Theater’s Joan of Arc, an intimate production featuring the hugely talented Jennifer Baldwin Peden, is wise and moving and beautifully performed from beginning to end; one of the most memorable shows I’ve seen all year — and that’s no small praise, as I’m a hard sell for musical theater.
Merce Cunningham Dance Company’s swan song at the Walker, a greatest-hits assortment from the storied company’s repertoire, was strange and lovely and witty, and still fresh even after all these years.
The opening of Air Sweet Air in Lowertown: with so many independent, owner-operated galleries scaling back and closing down since the economic downturn, Cheryl Wilgren Clyne’s new venture in Lowertown St. Paul deserves a shout-out both for bold entrepreneurial vision and dogged optimism.
The most ambitious, instantly beloved community art project last year was, without question, Northern Spark’s Nuit Blanche
My wishes for the New Year:
That any artist wanting to make work should have the tools, time, space, resources and sheer determination to do so, and then, upon completion, that they may find the right audience to appreciate what they’ve made.
For myself, my hope is that my kids are able to do something with their hands every day, and that I remember to have the patience to let them make messes in the doing; that we all see at least one thing daily that surprises and delights us.
I always have trouble looking back and recalling superlative moments throughout each passing year. It’s not that nothing notable happened in 2011 – quite the opposite! It’s just that information arrives and departs so quickly, it’s easy to make note of what’s happening right now, but maybe not so easy to take stock of what’s already happened (thanks, Twitter!).
Best exhibition I didn’t see: Tony Tasset: Life During Wartime - The worst part about living in such a vibrant arts community is you just can’t get to it all. This means I missed a gigantic show – one of the artist’s largest exhibitions to date and featuring a range of work including sculpture, photography, video, installation. Tony Tasset’s work is, while conceptually founded, very approachable, fun, and often cynical. Picture a giant rainbow monster in the same room as a hyper-realistic skeletal chandelier. Or take a peak for yourself: http://kavigupta.com/artist/tonytasset
Most fun I’ve had at an art opening: hot 3-way action – This may be an insular selection, but one of my favorite gallery moments of the year was at the opening and closing receptions for Scott Stulen, Bruce Tapola, and Erik Ullanderson’s three-person show at Soo Visual Art Center. With hair-metal blasting, PBR-laden sculpture, rock-god portraits and underwear hanging from the ceiling, SOO’s white walls transformed into a neon tour bus, vandalized by angsty teenagers with art-theoretical backgrounds. No back-stage passes required.
Show(s) that blew me away:Doomtree/MarijuanaDeathsquads – 2011 was the year of Doomtree! New CD. First Ave takeover. All over the place! Love it! I was fortunate enough to see our local heroes tear it up at the Mohawk during SXSW along with Marijuana Deathsquads, who can blow minds in Austin, along the river, or in the lobby of the Minneapolis Institute of Arts.
Art space I wish I could always hang out at: Faux Poco – Hats off to Luci Kandler and Miles Mendenhall for the launching Faux Poco, a collective artists’ space with ample screenprinting facilities and a wood shop located in St. Paul. Affordable membership to access facilities meant that I was able to roll up my sleeves and tackle a screenprinting project that I otherwise wouldn’t have been able to produce on my own. Thanks, guys – I will be back!
My wishes for the new year:
I hope that 2012 is a year with less complaining, hesitancy, and moustaches, and is a year with more gratitude, moxie, and painting shows. My favorite piece of advice to artists in the coming year could be summed up in an Anthony Burrill poster: ‘Work hard and be nice to people.’ But that should go without saying, because it’s Minnesota.
Best Overall Arts Event: Field Trip, duh. I mean, have you been to Silverwood Park? It’s unreal on it’s own, but add in a day of family friendly fun-arts-nature programming and you’ve got pure gold. Runner-up: Monster Drawing Rally
Most Impressive and Satisfying Architecture/Design Feat: Frank Gehry’s Winton Guest House opens to the public after its 110-mile move from Lake Minnetonka to Owatonna. Yes, I worked on the exhibition about the house that is now up inside, but I still think it’s a pretty big deal in general:
About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both [...]
About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both locally and abroad, including: illustrations in the Altered Esthetics Gallery (Minneapolis), the Walker Art Center blog, and multiple Red Leaf Press publications (St. Paul); visual narratives at the Adugyama Art Exhibition (Ghana, Africa) and the Save the Children Nepal Project (Nepal, India); and murals at an orphanage in Jaurez, Mexico. Samples of his work can be found at toddbalthazor.com and toddbalthazor.blogspot.com.
Balthazor also works as a guard at the Walker Art Center, and draws on his experiences behind the scenes at the museum in his weekly comic strip for mnartists.org, It Is What It Is. (Click the image above to enlarge it.)
You know what season we’re in? Right after the big holidays but before Valentine’s Day – comes like clockwork every winter. It’s “Year in Review” lists season! I know, I know – everyone does them, take them too seriously and they’re reductive, they inevitably leave too much good stuff out… C’mon! Year-end features are a [...]
You know what season we’re in? Right after the big holidays but before Valentine’s Day – comes like clockwork every winter. It’s “Year in Review” lists season! I know, I know – everyone does them, take them too seriously and they’re reductive, they inevitably leave too much good stuff out…
C’mon! Year-end features are a trifle, sure, but they’re really fun to write and read – no harm to anyone, and an interesting lens through which to take stock of all the arts you seen, heard, and been part of in the last year. Besides, no one here’s suggesting a few little lists amount to the last word on anything. Just consider this our contribution to your light weekend reading.
We’ll give our year-in-review staff picks in a blog post next week. But for this one, we asked some of our regular contributors to give us their picks for the best arts happenings of 2011 – any field, any discipline, it just has to have a local angle of some kind. And if you have a favorite from 2011’s cultural shindigs, exhibitions, performances, festivals, or art fairs, add your own in the comments below — the more the merrier!
Conversations in the wake of Nathalie Djurberg’s The Parade & its opening night at the Walker Art Center: I think people really connected to this show…because I had so many animated conversations. The work’s not local, but there’s something about the word-of-mouth ripple effect of good art that is…
Conversations about potentially faster-than-light neutrinos: Some of the most creatively & intellectually stimulating conversations i had this year weren’t about art at all…every time i talked to people about this bit of science news (that some neutrinos had been measured moving faster than the speed of light…implying that the theory of relativity is wrong…or that multiple universe theories are correct…or something very weird is going on), the discussion went somewhere odd and inspiring. the waters will not prevail/ non-public salons and performance nights: Some of my best experiences with art this year weren’t public. In particular, I loved this night of art & performances, put together as a ritual to ward off rising Mississippi waters that threatened to flood a friend’s cabin. Some of it was great, some not at all, but there’s something wonderful about people putting time into making art that’s not meant to win grants, get press, or position a career…it can feel like a reparative counterweight to all that hustling.
A Public Thing, Works Progress and Red76, November 2011: A perfect union of topicality, live event, archival publication, public conversation and artistic collaboration.
Conductors of the Moving World, Brad Zellar, published by Little Brown Mushroom Books: A strange, affecting look 1970s America through the eyes of a visiting Japanese traffic cop.
Dark Dark Dark and the Modern Times Spychestra, Spies, Walker Art Center, August 2011: A live scoring of an almost-forgotten Fritz Lang silent film, complete with a stage full of stompers, masterminded by the best band in Minnesota.
World on a Wire, directed by Rainer Werner Fassbinder, at the Trylon Microcinema, August 2011: Another almost-forgotten German film classic, presaging the last thirty years of science fiction.
Crap From the Past, hosted by Ron “Boogiemonster” Gerber, KFAI: The only guy in town who could play a suite of 1980s-era Ronald Reagan novelty hip-hop records. And he’s been at it for twenty years!
The Walker Art Center’s new website: Does everything a contemporary art center’s website ought to do (and quite a bit more).
2011 feels like the year I missed. I choose the most inopportune moments to go out of town, get sick, and get in a car accident. So, with apologies to everything I missed, here’s who and what caught my attention this year:
Merce Cunningham Dance Company: The world’s premiere modern dance company is sure to top everyone’s list in its final year. I put it here not for the weight of history, though, but because November’s performance at the Walker really was transformative and exhilarating. Plus, Cunningham’s influence shows up everywhere these days: I’d guess he’s at least one of the forces behind the resurgence of dance movement in avant-garde work both locally and nationally. Look for this influence to grow as former Cunningham dancers spread across the dance landscape.
Chris Schlichting: His show at the Ivy Studios was a must-see—strange, sexy, mesmerizing, pleasure for the eyes as well as the mind.
The Southern/the Cowles: What can I say that hasn’t been said? Dance space in Minneapolis is in crisis. I say, the heck with it, let’s just decide that everywhere is dance space. Get to your feet, people.
Raina Gilliland: Her name means Queen, she’s extravagantly tall and exotically gorgeous, and she’s third-generation MN dance royalty (of the Loyce and Lise Houlton line)—Raina Gilliland was never going to blend in. She could either stand out or disappoint, and for her first couple of years here, I thought it might be the latter. But last year her confidence blossomed. The Nutcracker is the best case in point: where in 2009 she trembled on the few steps Coffee takes alone, in 2010 she ruled the ballerina role of Rose (the leader of the Waltz of the Flowers). This year, she takes on the Sugarplum.
The Next Big Thing: I won’t leave you wondering: I can’t name it. But I saw a lot of loose energy out there this year—the kind that suggests next year might be critical. What new direction will our dance go?
Right away in January 2011, Charles Baxter published his new and selected stories, a volume entitled Gryphon, and immediately I knew it would be a good year for literature. This is a great collection. Playful, intriguing, heartbreaking, unnerving–these stories are nothing short of astonishing. I was pleased to see all the great reviews of the book (including Joyce Carol Oates’ take in the NYTBR). Wow, and he’s a Minnesotan!
Three notable things happened this year that are interrelated, and all connected to Robert Bly:
First, Robert Bly published Talking Into the Ear of a Donkey, a new book of quite wonderful poems. I especially love a group of poems about his father and mother and early years–very powerful. For example, despite a turbulent history with his father, Bly says, “The way I found/ Of opening a poem I took/ From the way he walked into a field.” I love that.
Bly was our first, and now we have a second Minnesota Poet Laureate, Joyce Sutphen. She is a perfect choice, and I don’t say that because I (very happily) call her my friend, but because she is the soul of generosity, and she is a brilliant writer and thinker. Governor Dayton could not have chosen a more ideal ambassador for poetry in the state. Three cheers!
I was happy for weeks after hearing that Tomas Transtromer was awarded the Nobel Prize in Literature. The connection to Robert Bly is as follows: Bly introduced Transtromer to American audiences by translating many of his poems into English for the first time. I understand that there is a volume of their correspondence over the years that has been published in Sweden (in Swedish), and I fervently hope someone publishes it in America. Transtromer’s work has been deeply admired for many decades, and the Nobel Prize has never been more justly bestowed.
JOHN JODZIO, FICTION WRITER & miniSTORIES FINALIST
So Many Great Readings at Magers & Quinn: From Greil Marcus to Tea Obrecht to John Sayles to countless other literary and cultural heavyweights, M&Q had a incredible year booking events. Sometimes when you go, they even have a table with some free wine or a cooler of beer set up, so you can watch someone incredible and then do a bunch of drunk book shopping.
Any Place Where Shane Hawley Is Is Way Better Than Where Shane Hawley Isn’t: Every time I see Shane Hawley in action, I love him a little more. Some people call him a poet and some people call him a comedian, but all I know is that he has taught me that my heart is an open chalice that can be filled again and again with his hilarity and angst.
Brian Beatty and Andy Sturdevant’s Epic Beard Battle: Two of the town’s most recognizable beardo artists sit down outside a Punch Pizza and beard battle to the death. Luckily it was caught on video for everyone to enjoy
2011 Minnesota Fringe Festival: Making it to Edinburgh in time to catch the last few days of Scotland’s original Fringe made me realize how lucky we are to have such a great festival right here at home.
Will Eno’s Oh the Humanity and Other Good Intentions at Intermedia Arts: I chatted up this evening of shorts for Minnesota Public Radio’s Art Hounds, but the performances of Matt Sciple, Mo Perry and Christopher Kehoe were even better than I was able to articulate on the radio.
Loren Niemi at Hot Dish storytelling event at the Trylon Microcinema: Loren was called up from the audience to share a story on stage at this second Hot Dish event. His short three-minute story was perfectly constructed and expertly told.
HUGE Theater: I’m on record comparing politicians obviously awful at making it up as they go along with comedy improvisers, only more meaningless, but the local improv scene deserved another venue besides The Brave New Workshop, Comedy Sportz and Stevie Ray’s. And the folks behind HUGE are among the funniest in the metro area.
We’re going to mix things up a bit around here in 2012. You’ll see more content on the blog, in general, and specifically, we’re going to be trying out more multimedia features. Keep your ears out for the debut later this month of our new literary podcast, You Are Hear, hosted by writer and bearded [...]
We’re going to mix things up a bit around here in 2012. You’ll see more content on the blog, in general, and specifically, we’re going to be trying out more multimedia features. Keep your ears out for the debut later this month of our new literary podcast, You Are Hear, hosted by writer and bearded funny-man Brian Beatty. And today, we’re launching a new weekly comic strip by Todd Balthazor - a Twin Cities-based illustrator who moonlights as a museum guard at the Walker Art Center. Give it a read for a few weeks, and let us know what you think in the comments. (You can click the image to enlarge it.)
About the artist: Todd Balthazor is a satirical, often anthropomorphic illustrator, fine artist, muralist and children’s art instructor from St.Paul, MN, with a BFA in illustration from the College of Visual Arts (CVA). He has done artist residencies at Jackson Elementary and the St. Paul University Club, and his work has been displayed in venues both locally and abroad, including: illustrations in the Altered Esthetics Gallery (Minneapolis), the Walker Art Center blog, and multiple Red Leaf Press publications (St. Paul); visual narratives at the Adugyama Art Exhibition (Ghana, Africa) and the Save the Children Nepal Project (Nepal, India); and murals at an orphanage in Jaurez, Mexico. Samples of his work can be found at toddbalthazor.com and toddbalthazor.blogspot.com.