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Bigloos, amplified tea kettles, and other activites for a frozen Minnesota weekend

A structure has appeared on the snow covered slope behind the Walker.  Technically the structure is a bigloo, an igloo-like structure built with packed snow, created by artist Sean Connaughty.  Connaughty’s bigloo was specifically built to host performances this Saturday, January 22 and Sunday, January 23 by a visiting group of artists from the L.A.-based [...]

A structure has appeared on the snow covered slope behind the Walker.  Technically the structure is a bigloo, an igloo-like structure built with packed snow, created by artist Sean Connaughty.  Connaughty’s bigloo was specifically built to host performances this Saturday, January 22 and Sunday, January 23 by a visiting group of artists from the L.A.-based collective Machine Project. Machine Project will be in artists-in-residence this July as part of the Walker’s Open Field summer.   Chris Kallmyer (composer/sound artist), Emily Lacy (folk and electronic sound artist) and Joshua Beckman (poet/performer) will be joined by special guests for an improvised afternoon of performances from poems on the topic of summer lawns, to amplified tea kettles and improvised folk music for one.

WHEN: Saturday, January 22 and Sunday, January 23
1PM -4 PM (weather permitting)

HOW MUCH: Free…but space may be limited

WHERE: Walker Art Center and various “on-campus” locations (indoors and outdoors) throughout the day.

Artist Bios:

Joshua Beckman was born in New Haven, Connecticut. He is the author of seven books, including Take It (Wave Books, 2009), Shake and two collaborations with Matthew Rohrer: Nice Hat. Thanks. and Adventures While Preaching the Gospel of Beauty. He is an editor at Wave Books and has translated numerous works of poetry and prose, including 5 Meters of Poems by Carlos Oquendo de Amat and Poker by Tomaz Salamun, which was a finalist for the PEN America Poetry in Translation Award. He is also the recipient of numerous other awards, including a NYFA fellowship and a Pushcart Prize. He lives in Seattle and New York.

Joshua Beckman and Emily Lacy

Joshua Beckman and Emily Lacy

Chris Kallmyer is a performer/composer/sound artist living in Los Angeles, CA and is the Curator of Sound Programming for the Machine Project. Chris earned his MFA in music from the California Institute of the Arts.where he studied with Thomas Stevens, Vinny Golia, Wadada Leo Smith, and Edward Carroll. He holds a BA in trumpet performance from St. Mary’s College of Maryland. As a composer and sound artist, he has presented works at the Los Angeles County Museum of Art (LACMA), the Hammer Museum, Machine Project, the Goldwell Open Air Museum and various parking lots in LA. His collaboration with cheesemaker, Sue Conley of Cowgirl Creamery, FERMENT[cheese], has led him to his current work using field recordings, and spatial sound to explore food production in its complexities and storied traditions.

Emily Lacy is a folk and electronic sound artist generating works in music, film, and other media. She has performed in exhibitions at PS1 MOMA, The Whitney Museum of American Art, The Hammer Museum, and LACMA, in addition to various DIY spaces all throughout America. She works very closely with Machine Project. Also check out a great interview with Emily in this weeks City Pages!

Monster Drawing Rally Returns!

It is Monster Drawing Rally time again… one of  the most anticipated, accessible and loved art fundraisers in recent memory. The event takes place on Saturday, January 22nd at Midway Contemporary Art  from 5-9pm. This year’s lineup  includes 50 Twin Cities-based artists, spanning a variety of styles, approaches and reputations.  If you missed the prior [...]

It is Monster Drawing Rally time again… one of  the most anticipated, accessible and loved art fundraisers in recent memory. The event takes place on Saturday, January 22nd at Midway Contemporary Art  from 5-9pm. This year’s lineup  includes 50 Twin Cities-based artists, spanning a variety of styles, approaches and reputations.  If you missed the prior Drawing Rally events, here is what to expect.

  • The event is free to attend and not to be missed for the spectacle and entertainment value alone.
  • The gallery will be cleared to make space for rows of drawing tables and the creations from the participating artists.
  • Artists draw for an hour each in four waves, producing as many (or few) drawings are they can during that period.
  • As drawings are completed, gallery staff takes the works, places them in a plastic bags and hangs them in open spaces of gallery wall.
  • Once the drawing hits the wall it may be purchased for a flat fee of $35.
  • Drawings may not be purchased, claimed of snatched prior to hitting the wall.  Conflicts or ties for purchasing a work will be resolved by drawing cards. Fighting, hoarding, hovering or any other bad collector behavior will be sternly frowned upon.

As a past participating artist, I can also add a couple things from the artist’s perspective.

  • It is a lot of fun with a bit of chaos thrown in.
  • Its great to meet people who appreciate your work and enjoy watching you create…. and also rewarding to finish a piece and see someone lock on, follow it, and snag it  the minute it hits the wall.
  • It is nerve racking to make work with an audience.
  • Its one of the most energetic, generous and concentrated gatherings of local artists all year!

That is it.  The joy of the event is the ability to meet talented local artists, have a unique glimpse into their creative process and most of all have a great time while supporting a deeply valued art resource (all proceeds will go directly toward Midway’s programming and education events in 2011) So come out and add a work to your personal collection or just cheer on your favorite local artist.

Here is the official lineup for the 3rd Annual Monster Drawing Rally.

A.Caillier & M.MottJohn AlspachEmily AtchisonSarah BakerMatt BakkomRich BarlowUte BertogLevi BuddLander BurtonJennifer DanosAndy DucettMonica Edwards LarsonWelles EmersonKatelyn FarstadJohn Fleischer, David Frolich, Isa GagarinLuke GrotheBrett GustafsonNoah HarmonJay HeikesNick Howard, Val Jenkins, Rick JohannissonCaroline KentTynan Kerr & Andie MazorolSteven LangChris LarsonDavid LefkowitzMelissa LoopSuzanne MahoneyRob McBroomMiles MendenhallLiz MillerRuben NuszNatasha Pestich, David Petersen, Melba PriceCrystal Quinn, Chad RutterMegan RyeJenny SchmidJosi SeversonSean SmudaAaron Spangler, Scott StulenTony SunderBruce TapolaJohn Vogt, Nate Young

Here is the schedule of artists to plan your evening or attack.
5:00 PM
Emily Atchison, Matt Bakkom, Rich Barlow, Welles Emerson, Nick Howard, Val Jenkins, Rick Johannisson, Chris Larson, David Lefkowitz, Liz Miller, Josi Severson, Jenny Schmid, Sean Smuda

6:00 PM
John Alspach, Ute Bertog, A.Caillier & M.Mott, Jennifer Danos, John Fleischer, David Frohlich, Brett Gustafson, Melissa Loop, Natasha Pestich, Melba Price, Megan Rye, Nate Young

7:00 PM
Katelyn Farstad, Noah Harmon, Caroline Kent, Steven Lang, Monica Edwards Larson, Suzanne Mahoney, Ruben Nusz, David Petersen, Bruce Tapola, Tony Sunder, John Vogt, Aaron Spangler

8:00 PM
Sarah Ann Baker, Levi Budd, Lander Burton, Andy Ducett, Isa Gagarin, Luke Grothe, Jay Heikes, Tynan Kerr, Rob McBroom, Miles Mendenhall, Scott Stulen, Chad Rutter, Crystal Quinn

[youtube]http://www.youtube.com/watch?v=qyG2u9FJd8A[/youtube]

Sponsored by the Aster Cafe



Local artists and arts lovers reflect on the year that was in Minnesota art and culture

A few weeks ago, we asked the mnartists.org community of artists and arts lovers to take stock of the year just passed – 2010’s gains and losses, the year’s notable artists and arts organizations, as well as the most intriguing trends and memorable shows seen over the last twelve months. The results from our survey [...]

A few weeks ago, we asked the mnartists.org community of artists and arts lovers to take stock of the year just passed – 2010’s gains and losses, the year’s notable artists and arts organizations, as well as the most intriguing trends and memorable shows seen over the last twelve months. The results from our survey are in, with a variety of reflections from more than 70 people throughout the state. Over the next few weeks, we’ll share those community responses with you here; if you’re so moved, feel free to weigh in yourself in the comments below.

Between the loss of the Bush Foundation artist fellowships and the demise of the spunky Twin Cities’ art zine, ARP!, Minnesota’s arts community bid some painful farewells in recent months – what do you think was the biggest loss of 2010?

Among the 67 responses to this question, the recent elimination of the much-coveted, big-ticket Bush Foundation Artist Fellowship was the overwhelming pick of the crowd, noted by nearly half our respondents as our arts scene’s most notable loss of the year. Similarly, a few mentioned Target’s eventual redirection of philanthropic focus, from the arts to literacy programs, as a loss for the state’s artist community as well.

In addition, survey-takers marked the passing of a number of smaller, independently-run gallery spaces in 2010, prominently mentioned among them: Flanders Contemporary Art and the avant-garde Minneapolis space, Art of This. A number of people also pointed to the persistent lack of a bricks-and-mortar home for the Minnesota Museum of American Art. (Although it must be said, with Kristin Makholm at the helm, the museum has been resourceful about getting its collection in the public eye through a series of intriguing exhibition partnerships in the last year, despite the organization’s lack of a permanent home.)

More than a few respondents paid their respects to the Art Shanty Projects, the annual community-spirit-filled art festival whose ice shanties and whimsical programming on Plymouth’s Medicine Lake made the bitter midwinter months just a little bit warmer.

A number of people also noted the loss of Bedlam Theatre’s appealing, interdisciplinary space and the loss of Art Review and Preview (ARP!), as well as the departures of two accomplished Minnesota curators: David Hodges from the Duluth Art Institute and the Walker Art Center curator Peter Eeley, who left the Twin Cities last year to take a leadership role at NYC’s PS1.

But enough of the depressing stuff; we also called on the Minnesota arts community to point to an arts experience – whether that be an exhibition, performance, festival or individual art happening – that stands out for them as the event of 2010.

A clear favorite among our respondents was the Minneapolis Institute of Arts’ once-a-decade Minnesota Artists Exhibition Program extravaganza, Foot in the Door 4; the Walker Art Center exhibition, From Here To There: Alec Soth’s America, also garnered a number of votes, as did the center’s dance/installation by Eiko and Koma, Naked, which took up residence in the Event Horizon exhibition this fall.

Other notable arts events called out in our survey responses include: Sandbox Theatre’s Unspeakable Things – The Wandrei Brothers’ Project; the National Poetry Slam, hosted last year in St. Paul, whose team overtook the competition handily for the second year in a row. In the dance scene, 2010 highlights mentioned include Megan Mayer’s we tried to throw the light at the Southern, as well as The Thank-You Bar from Catalyst Dance + BLACKFISH, and last spring’s performance of Heaven by Morgan Thorson.

Other events of note: the tall ships’ arrival in Duluth, St Paul’s sidewalk poetry, the avant garde film series at Midway Contemporary Art, H.O.T. (a pop-up publishing experiment at the Soap Factory last August), and A Streetcar Named Desire at the Guthrie.

As I browse through the arts smorgasbord noted in our survey results, I’m struck most of all by the sheer abundance and diversity of the list. One can’t look through these community responses without feeling, first, a profound gratitude for the wealth and richness of arts experiences at our disposal in these parts, not to mention the persistent resourcefulness of our regions’ artists and organizations in reaching the public.

Next week – we’ll talk fantasy fellowships and what Minnesota artists say they would do with $10,000; also, your picks for our state’s most quintessentially “Minnesotan” public artwork.

What about you? Which 2010 arts happenings still linger in your mind? Share your own reflections on the year’s highlights in the comments below, or take the survey yourself, online here.