Blogs Field Guide

A Heroic Free First Saturday

It was a chilly winter morning when my coworker, Ashley, and I were dreaming of the warm summer ahead and the fun activities to do in the Minneapolis Sculpture Garden. We were both excited by the idea of programming a day inspired by the sculpture Prometheus Strangling the Vulture II, 1944/1953 by Jacques Lipchitz and [...]

It was a chilly winter morning when my coworker, Ashley, and I were dreaming of the warm summer ahead and the fun activities to do in the Minneapolis Sculpture Garden. We were both excited by the idea of programming a day inspired by the sculpture Prometheus Strangling the Vulture II, 1944/1953 by Jacques Lipchitz and other mythic works in the garden.
Prometheus

Lipchitz liked to explore themes from mythology. According to legend the Titan Prometheus stole fire from the god Zeus and gave it to the humans. Zeus punished Prometheus by chaining him to a rock where a vulture would eat his liver every day, only to have it grow back every night. Eventually Hercules killed the bird. It’s a great bedtime story.

Ashley turned to me and said “Prometheus was kind of like a superhero. He fought for the humans and never dies.” Perfect! We had theme for day: Super Sculptures!

Fast forward to September. Families had a great time making their own action figures using masking tape and newspaper with artist Mary Rivard. Heroes are often known for being incredibly strong and the artist gave Prometheus some serious muscles, so we invited bodybuilders to come and flex their stuff.

Hero
But what is a superhero without a cool super suit! We gave kids tape, cardboard, some paper, makers, string, and let them go wild. Photographer Sam Hoolihan made some fantastic backdrops and spent the day snapping shots of people in their cool new costumes. It was awesome.
Just look at the results.

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Trading Art for Art

The $99 sale at The Soap Factory attracts a mass of egalitarian participants, and I am one of them. Being someone who firmly believes in the barter system, I favor the exchange of services without the green back. So, it’s apropos that I create an artwork and donate it to The Soap Factory for the [...]

The Soap Factory's $99 Sale

The $99 sale at The Soap Factory attracts a mass of egalitarian participants, and I am one of them.

Being someone who firmly believes in the barter system, I favor the exchange of services without the green back. So, it’s apropos that I create an artwork and donate it to The Soap Factory for the sale on September 11th and 12th this year.

Just a word about the works for the sale; they must be created on 5″ x 7″ paper without any signatures. There are many top notch artists in this pool, and this standardization levels the playing field. All the artists who participate in this event are united by their support of The Soap Factory. Last year, when all the works were installed in the gallery, they read like cells on a storyboard to me. What a kick to be part of this community that backs The Soap Factory cover to cover.

From Field Day Kickball Team Mascot to Fashion Icon

In support of mnartists.org Field Day, which took place on August 27th at the Walker, I decided to rally some colleagues to form a kickball team. We were scrappy, made up mainly of education and new media folks with some help from membership and visitor services. Our name: Spherical Propulsion Ensemble (SPE). Our mascot: the [...]

In support of mnartists.org Field Day, which took place on August 27th at the Walker, I decided to rally some colleagues to form a kickball team. We were scrappy, made up mainly of education and new media folks with some help from membership and visitor services. Our name: Spherical Propulsion Ensemble (SPE). Our mascot: the subject of Angus Fairhurst’s The Birth of Consistency, a gorilla. Unfortunately, our enthusiasm for propelling kickballs didn’t match our ability, but we had a raging good time attempting to topple a talented Walker marketing team. A team, by the way, that somehow managed to recruit three especially nimble players who were each roughly fourteen years old. Not fair! Luckily, we avoided a shutout thanks to the kicking talents of Robin Dowden.

I was happy to see that despite our loss our mascot ended up prominently displayed on a number of screen-printed shirts being cranked out at Calpurnia Peach’s Remake, Revamp.

SPE mascot with name

SPE mascot with name

SPE gorilla with alternate text

SPE gorilla with alternate text

Truth be told, we as a team never got around to getting our mascot on our shirts prior to the fated game, so it wasn’t exactly clear to Field Day goers that the sporty ape had a kickball connection. I had actually commissioned my husband, former opera singer and current finance professional/guerilla sketch artist (pun intended), to bring our team name to life. The gorilla’s colorful (re)appearance at field day was a fun surprise. Wear him with pride Minneapolitans.

WACTAC at Generation O: A National Convening for Teens in the Arts

[tylr-slidr userID="36154778@N00" groupID=""]http://www.flickr.com/photos/wactac/sets/72157622308167064/show/[/tylr-slidr] This post was written by WACTAC member Nakami Tongrit-Green (see bio below). Being on WACTAC for the past 2 years has been one of the most rewarding experiences I’ve had in high school. So when Witt asked Kaitlyn (2nd year WACTAC member) and I to attend the Generation O: Conference at the [...]

[tylr-slidr userID="36154778@N00" groupID=""]http://www.flickr.com/photos/wactac/sets/72157622308167064/show/[/tylr-slidr]

This post was written by WACTAC member Nakami Tongrit-Green (see bio below).

Being on WACTAC for the past 2 years has been one of the most rewarding experiences I’ve had in high school. So when Witt asked Kaitlyn (2nd year WACTAC member) and I to attend the Generation O: Conference at the Institute of Contemporary Art in Boston, I was more than thrilled to accept the offer. Although I was excited about the trip, I didn’t really know what to expect. I knew we would be meeting teenagers from around the country who were involved in similar museum related programs but I wasn’t sure what they would be like, and what I could gain from meeting these people.

Day One in Boston was a bit tiring. As soon Kaitlyn and I arrived in Boston, Witt immediately took us around the city to look at some colleges, and kind of get a feel for the area. It was Kaitlyn and my first time in Boston and I have to admit, it’s a gorgeous city. We met Rosanna Flouty, the Teen Programs director at the ICA that night at dinner, as well as some other teen representatives and museum educators. It was nice to get a chance to meet people before the conference kicked off but I was too busy stuffing my face to really have a valuable dinner conversation with anyone. We ordered so much food that night. I had probably eaten enough for the whole weekend at that point…

Day Two consisted of a series of presentations from all the different Museums and teen programs, as well as a tour of the ICA and the Shepard Fairey exhibit, which was amazing! It was also great to hear all the different programs going on from Miami all the way up to Chicago – Museum of Contemporary Art Miami’s Women On The Rise Program, Museum of Modern Art’s Teen Council , Whitney’s Youth Insights, and Marwen.

By Day Three, it seemed like I knew everyone so well! The kids from the ICA showed us around Boston a little bit, and we had time to kick it at the hotel, which was nice. During the day, we had discussions on a variety of topics regarding Teen Programs in Museums and it was actually really beneficial to hear everyone’s opinions and ideas.

Day Four. No one wanted to leave!!

I was definitely inspired by this trip and I feel like I’m ready to kick off my final year on WACTAC! I would just like to say thanks to the Institute of Contemporary Art in Boston and shout out to all the great people we met there! I’d also like to thank the Walker for this great experience. Look out for even more fabulous WACTAC workshops and events this year :)

Nakami Green has been singing for as far back as she can remember, starting with sing-alongs to old Aretha Franklin records in her living room. Now, at age 16, she is a member of the Harding Senior High School concert choir and has performed solo as well as with other young musicians around the twin cities. She has worked as a singer/songwriter for the past two summers in the COMPAS Artswork Apprenticeship program and has sung with the Walker West gospel choir. Nakami has competed in talent shows and was a finalist last fall in her school’s singing contest, “Harding Idol”. She still finds time to sing along to her favorite Aretha tunes, but now works mainly on original compositions. She incorporates styles from every genre into her R&B sound, which is a reflection of her diverse taste in music. Nakami Green is currently working on her demo which she hopes to release in 2010.

Hunters and Collectors: ArtsConnectEd

Online visitors, students, and educators get creative with a dynamic new ArtsConnectEd.org As back-to-school rituals go, logging on to new Web sites is today’s equivalent to that analog practice of signing out a heavy load of textbooks. This fall, K–12 students and their teachers across Minnesota will usher in the new year by exploring a [...]

ArtsConnectEd Hunter

Online visitors, students, and educators get creative with a dynamic new ArtsConnectEd.org

As back-to-school rituals go, logging on to new Web sites is today’s equivalent to that analog practice of signing out a heavy load of textbooks. This fall, K–12 students and their teachers across Minnesota will usher in the new year by exploring a fully overhauled, freshly supercharged artsconnected.org—the product of a long-standing educational partnership between the Walker and the Minneapolis Institute of Arts (MIA).

When it originally launched in 1998, ArtsConnectEd’s function was to provide digital access to the collections at both institutions, mainly for people who couldn’t make the trip to the Twin Cities. Now, browsing more than 90,000 works of art, plus reading, watching, and listening to more than 1,000 art-related articles and video/audio records is just the beginning. The big change in the new version of ArtsConnectEd is the ease with which teachers and students at all grade levels can use this content to create presentations, quizzes, handouts, lesson plans, research, and curricula—and share these materials with each other. A host of examples is already available for use in the classroom, such as an “Animals in Art” presentation that includes an ancient Chinese bronze horse from the MIA and Franz Marc’s The Large Blue Horses, a highlight of the Walker collection; and “Building a Story,” which helps students create a fictional tale based on works of art. One lesson investigates different kinds of brushstrokes; another offers an “adventure” for younger students based around the color red. One teacher had his students use the site to create MySpace-style pages focused on photographers that interested them.

“It is much more self-directed in its design than many other online resources,” says Kevan Nitzberg, an Anoka High School teacher who is part of a “power user” group that has been using ArtsConnectEd since its earliest days. “That helps to give students open-ended access to researching and using the data they discover.” He and his fellow power-user teachers are developing and field-testing activities with the new site in classrooms around Minnesota this fall. “We really re-envisioned this site as an easy, flexible, and fun-to-use tool,” says Susan Rotilie, the Walker’s manager for school programs, who is a codirector of ArtsConnectEd along with the MIA’s Treden Wagoner. “We’re looking forward to seeing the creative ways that people put it to work in all academic disciplines.”

The relaunch, which has been funded by a grant from the Institute of Museum and Library Services, represents a milestone in a partnership between the Walker and the MIA that goes back more than 10 years. “As the needs of our audiences have changed and our technological capabilities have changed, our commitment to ArtsConnectEd and our partnership with the Walker have grown,” says Wagoner, the MIA’s technology and training specialist. He and Rotilie, plus other education and new media staff at both institutions, have been working for more than two years on the overhaul with Sandbox Studios, Inc., a company that works with museums on education and technology projects. In addition, the ongoing consultation, feedback, and testing from those ArtsConnectEd “power users” have been instrumental. “Our opinions always were important, which often isn’t the case in a public school system,” says Litchfield High School teacher Gerard Kulzer. Rotilie says the ArtsConnectEd redesign wouldn’t have been possible without Kulzer and his colleagues. “They challenged us to make the new ArtsConnectEd useful in the classroom and pushed us to create a state-of-the-art online educational resource.”

Aside from boasting an array of new functions, the redesigned ArtsConnectEd reflects other, broader changes on the Internet, such as the shift to engage people as creators of and contributors to Web sites. ArtsConnectEd still showcases the Walker and MIA collections, but it does so through the content that users create. Another change reflects new “learning/teaching paradigms that have literally turned the entire educational process on its head,” as Nitzberg puts it—such as considering teachers and students as both consumers and producers of information. “When students provide their own direction to their learning experience, ultimately that experience is much more meaningful,” he says.

Finally, the relaunch of ArtsConnectEd is just one way in which the Walker is responding to broader cultural shifts in learning enhanced by the power of online technologies. “Introducing new tools for accessing and sharing information is just the beginning,” says Walker director Olga Viso. “Along with other new programs and initiatives, including a major reinstallation of our collections in November, ArtsConnectEd presents opportunities for people to be creative themselves, to have two-way conversations about art, and to contribute to an expanding network of communities both here and outside the state of Minnesota. Ultimately, it’s one of our key tools for connecting art and the visions of artists to the larger world.”

ArtsConnectEd Homepage

ArtsConnectEd is a joint project of the Minneapolis Institute of Arts and the Walker Art Center. The project to improve ArtsConnectEd was funded by an Institute of Museum and Library Services National Leadership Grant.