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Walker Art Center

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by Lara Roy at 4:13 pm 2006-10-31
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Saturday, November 4 promises to be a great day for families at the Walker. November’s Free First Saturday, Light’s Out! will feature an artmaking project designed around creating glow-in-the-dark wearable art, a kids’ disco party, cool films, and a performance by Circus Minimus. Families should also make sure to take a trip into the galleries where tour guides will be stationed by artworks that incorporate “mysterious shapes and spaces.”

Lucio Fontana Spatial Concept-Expectation

One such work is Lucio Fontana’s Concetto Spaziale-Attesa (Spatial Concept- Expectation) from 1964-65. The work is a painted canvas with a dramatic slash down the center. As the artist said, “Space is behind and around the painting.” He changed the flat smooth surface of the canvas, helping us to look through the painting and wonder about the space behind and around it.

As you look at this artwork, think about how this work is like both a painting and a sculpture. How do you think making this artwork was like making a performance? Do you think Fontana made his slash slowly or quickly?

Have your child make an artwork and then have him or her cut or tear a slash into an area of the artwork. How does this change the space of the artwork? How did they decide where to make the slash, how long and what shape it should be? What would they want to put behind their opening?

Don’t foget to come to the Walker on Saturday, November 4 to learn more about how artists use shape and space in unusual ways, or to see more works by Lucio Fontana.

 
 
by Reggie Prim at 10:01 am 2006-10-25
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Sankai Juki, a Paris based Butoh company will perform as part of the Walker’s dance season, Friday, November 3, 8 pm at Northrop Auditorium on the University of Minnesota campus. Image: Joel Saget/Agence France-Presse — Getty Images.

Writing for the New York Times, Claudia La Rocco, asks if Is Butoh's Big Season Good for Butoh?” As I eagerly await the Minneapolis appearance of the Paris based company Sankai Juku at the Northrop on November 3rd, the article serves as a timely reminder of the breadth and diversity of this ineffable and visually stunning dance form.

Excerpt:

“People tend to think of Butoh in terms of aesthetic markers: white body paint, shaved heads, slow movement gained through intense muscular control, and a way of manipulating the body that is at once beautiful and grotesque, tragic and absurd. Influenced by German Expressionism, it tends to be imagistic rather than narrative. But while these elements often appear, defining Butoh in stylistic terms is dangerous. There is the beautiful, highly stylized theatricality of Sankai Juku, or the mad kineticism of Mr. Kasai, or the creaturely abstractions of Yumiko Yoshioka. Like contemporary American dance, Butoh is no one thing, but it always has, at its center, a fragile transformative spark. You can't always describe it, but you know it when you see it, and you know when it's missing.”

 
 
by Roger Nieboer at 1:12 pm 2006-10-23
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During our most recent meeting of The Artist's Bookshelf, in which we discussed the wonderfully droll Fun Home, several participants requested recommendations on other graphic novels of literary merit. My personal favorites include Harvey Pekar's American Splendor and Joe Sacco's Palestine.

Alison Bechdel (author of Fun Home and Dykes To Watch Out For) recommends graphic novels by Chris Ware, Jessica Abel, Seth, and Chester Brown.

Local cartoonist Robert Kirby [author of Curbside Boys(Cleis Press) and The Book of Boy Trouble (Green Candy Press)]recommends Persepolis by Marjane Setrapi (Pantheon), Stuck Rubber Baby by Howard Cruse (DC Comics), and Ghost World by Daniel Clowes (Fantagraphics).

 
 
by Witt at 11:46 am 2006-10-10
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Most of the time I don't have any reason to blog, but last week I often said to myself "boy, I am lucky to work here." In addition to working with the Walker Art Center Teen Arts Council (WACTAC), I get to tag along with the artists that WACTAC invites to the Walker. Last week I had the pleasure of playing chauffeur to the founders of Giant Robot, Martin Wong and Eric Nakamura. Wong and Nakamura were here to present at the Walker's Student Open House, a free night of films by Cameron Jamie, musical performances by Birthday Suits and MUte ErA, and video games sponsored by WACTAC.

The 3 day Giant Robot adventure consisted of a non-stop tour of my favorite places in the Twin Cities - galleries (First Amendment Gallery, SOO VAC, Intermedia Arts), cafes and restaurants (Nye's Polonaise, The Modern, Seward Café, Moose and Sadie’s, One on One Bicycle Studio, Lindey's, King and I Thai), new and used stores (Robot Love, Big Brain Comics, Unique Thrift Store and Salvation Army).

I asked Eric and Martin for their top 5 twin Cites moments. Here they are.

Eric Nakamura's Top 5 Twin Cities Moments:

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1. Talking at the Walker and its aftermath, hearing comments, talking to people, and being there. I’d do it again and again.
2. Eating a hot dog at the Twins game - I was hungry and it was good. The steak (at Lindey's) was good too, but the hot dog was the best. (Eric actually mentioned the swastika in the Metrodome roof, but never read the City Pages article pointing it out)
3.Speaking with a Minnesotan accent and overhearing others speak it.
4. Thrifting and seeing the locals and shit that Minnesotans buy and discard.
5. Big Brain Comics at 2am and realizing that comics are still great.

Martin Wong's Top 5 Twin Cities Moments:

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1. Hideo from the Birthday Suits wearing a J Church shirt.
2. The metal-inspired art at the bottom of Jamie Cameron’s labyrinth installation at the Walker
3. Seeing someone in a Prince baseball cap at the Seward Cafe in between radio interviews
4. 2 AM sausage party with Michael, Wes, and Witt at Big Brain Comics
5. Being Asian with (karaoke in our blood) yet being lectured by a drunk customer for not singing at Nye’s piano bar.

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I don't have a top 5, but my favorite moment was watching Eric and Martin "MacGyver" our busted muffler with a thrift store belt.

Anyway, sometimes you forget how much cool stuff there is to do in the Twin Cities until you have someone from out of town to show it to.

Check out an interview with the Giant Robot guys on the Current here.

 
 

Last night's meeting of THE ARTIST'S BOOKSHELF covered a wide array of topics ranging from funeral homes and obsessive/compulsive disorder to Camus and the complexities of human sexuality.

Our topic, of course, and the catalyst of all the hoopla was the infinitely intriguing graphic novel, FUN HOME, by the equally intriguing cartoonist/writer/astute observer Alison Bechdel (of DYKES TO WATCH OUT FOR fame).

We spent a fair amount of time talking about the unique development of the graphic novel as a literary/artistic genre, and were aided immensely in this effort by esteemed local cartoonist (BOY TROUBLE) Robert Kirby.

We devoted a good deal of our discussion to the novel's focus on the protagonist's father, and the troubled but highly complex relationship they shared.

"We grew to resent the way my father treated his furniture like children, and his children like furniture."

Though not in total agreement over the novel's resolution (was it metaphorical, literal, sentimental, ironic, too easy, unclear, or all of the above?), we did agree that its ambiguity somehow seemed appropriate for a work of this depth and magnitude.

Next up: AMERICAN GODS by Neil Gaiman

 
 
by Morgan Wylie at 11:48 am 2006-10-06
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The geeks were out in full force at the 2006 Walker Student Open House for the artist talk with Giant Robot Magazine co-founders Eric Nakamura and Martin Wong. Momentarily distracted by the teens duking it out with Mortal Combat in the lobby, I rushed in to find a seat and hear about all things Asian and Asian-American pop culture.

Giant Robot Five minutes in to the talk, I was harboring a serious geek crush on these two guys. Every time Martin (on the right - sorry for the not so great pic - I didn’t want to use the flash) would go off on a topic at a frantic pace, whether it be Asian films or his toy collection, he’d have to stop himself, saying: “Sorry, I’m just dorking out now.” And every time he confessed his dorkitude, I sighed like a Japanese school girl face-to-face with her favorite music idol. *Sigh*

Eric and Martin are true devotees to the DIY aesthetic, and their enthusiasm was noticeably contagious in the audience, especially as they shared tales of waiting outside offices for closing time so they could sneak in to hijack copy machines, and scrounging office furniture from comics run out of business. Oh, and tofu tacos, now served at the Giant Robot restaurant. Martin swears by them.

I checked in with Witt this morning to see how the after-party went. After the talk, Witt and the crew headed over to the Loring Park local watering hole, King and I Thai, for some dinner. Witt invested serious time in trying to teach Eric and Martin “Minnesota Speak” - to teach them the perfect Minnesotan ‘Oh’. It takes time and practice. Sadly, Witt reported to me, despite many efforts, Eric and Martin were unable to join the ranks as Minnesotans. But here’s the kicker - I was also at King and I Thai with a friend having a few drinks to celebrate my birthday. Giant Robot was on the restaurant side, and I was on the bar side. AND I HAD NO IDEA. Dammit. Looking back, I could have easily ditched my friend in order to hang with Giant Robot. Especially when Witt filled me in later on their midnight run to Big Brain Comics that lasted much of the night. Who needs friends anyway, right?

I need Giant Robot!

 
 
by Sarah Peters at 11:46 am 2006-10-02
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In my excitement for the discussion of Alison Bechdel’s graphic novel Fun Home this Thursday at the Artist’s Bookshelf bookclub, I came across this video on Powell’s.com of the author in her studio describing her process. I have long been obsessed by Bechdel’s drawings and writing. As a major fan of Dykes to Watch Out For, I have been following the development of her style for about a decade. (I have been known to refer to the DTWOF characters as my “friends.”) Whether you are a seasoned reader or a new comer to Bechdel’s work, the slow down-load time of the video is worth it.

 

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