Education and Community Programs

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by Reggie Prim at 10:37 am 2006-07-28
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Reading in yesterday’s NYT that the Tate Modern is planning a $397 Million dollar expansion by (who else?) Herzog and de Meuron gave me a distinct sense of dejavu. Aren’t those the guys who…exactly? Click here to catch all the echoes yourself.

A couple of choice bits I could not pass pulling out of the article: Sound familiar? “The novelty in the Tate Modern annex is that it will turn the museum’s face away from the river and toward the borough of Southwark.” hmm. I wonder if it’s “face” will resemble a visage as much as the new walker does?

And check out this computer generated image of the new Modern interior. Hmm. Can you say townsquare?

ODD Andersen/Agence France-Presse — Getty Images

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by Roger Nieboer at 9:20 am 2006-07-27
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Here at The Artist’s Bookshelf, we’re gearing up for our next meeting (7 pm, Thursday, Aug. 3rd), during which we will discuss the wildly popular Jeffrey Eugenides novel THE VIRGIN SUICIDES. We’re reading it in conjunction with the current Cameron Jamie exhibit, which we will tour that same night at 6 pm.

As always, our discussion is certain to wander off course, and stumble upon natural tangents which will prove infinitely more intriguing than anything we might suggest. However, if you do happen to need some food for thought, or if you’ve only seen the movie (hey, that’s okay, this isn’t a class; no one will test you) or you’re just curious about what we’re all about, consider the following:

1) The novel seems to be narrated in an unspecified voice by a group of neighborhood boys, now grown, who seem to have conducted their own investigation into the grisly events of their youth.

How does this limited view add to the mystery of the story? Why did the author consciously employ this narrative technique?

2) Jeffrey Eugenides and Cameron Jamie both seem to be obsessed with American suburban life-forms and exploit this environment to comment subtlely and not-so-subtlely on our culture. What is it about the suburbs that they find so irresistible?

3) The author and the artist also seem to share a fascination with ritualized forms of violence. What is the nature of that fascination, and how does it inform and/or influence their work?

For an interesting interview with Mr. Eugenides, check out the following: http://www.powells.com/authors/eugenides.html

For more information on Mr. Jamie, including a video interview in which he describes American suburbs as an apocalypse, link to:

http://latitudes.walkerart.org/artists/index.wac?id=144

See you Thursday!

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by Scott Winter at 5:58 pm 2006-07-24
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Hi. I’m Scott Winter, Director of the Walker’s Annual Fund. I am basically responsible for all of the Walker’s membership programs (15 at last count), as well as raising money for the annual Garden Fund (but that’s another story).

As one of my many duties, I am often asked to accommodate groups of donors visiting from other institutions with a tour. And so there I was this past Saturday morning, sharing the wonders of the Minneapolis Sculpture Garden with a group of 20 or so donors from the Yale University Art Gallery.

As we reached the Palm Room of the Cowles Conservatory, I noticed something odd.

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Standing Glass Fish was not standing in a pool of pitch black water. Nope. SGF was standing in crystal clear water, where the bottom of the pool was showing its age.

An inquiry to our intrepid Registration Deptartment set the record straight.

The pool is typically filled with water along with a special ink that dyes the water a densely saturated black, providing a strong reflection of SGF to those peering in. The bottom of the pool is also home to a dark lining that aids in the cause.

The Minneapolis Park and Recreation Board, who maintains the pool, has reported a small leak in the pond that requires the pool to be constantly refilled. To keep from losing the dye as well, they are waiting until the pond can be repaired before returning it to it’s murky glory.

So now I have a tale to tell the group of donors from Chicago who will be joining me for a private garden tour THIS Saturday!

And so do you.

 
 
by Masami at 5:04 pm 2006-07-24
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My first Walker blog post contained a blurry photo of the bird family in Arikidea.

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Fellow blogger Paul was kind enough to send me a much clearer photo of the bird family, taken by Walker photographer Gene Pittman. I bet Gene didn’t fall off the swing platform while taking the photograph.

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by Maggie Perez at 1:10 am 2006-07-18
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It may be a bit belated, but I wanted to share some of my favorite works from La Force de L’Art, a state-sponsored exhibition championed by Jacques Chirac which ran at the Grand Palais in Paris for a little more than a month before closing Jun. 25. I saw the mega exhibition back in June, when it was still being criticized among the local art community for being too “official”. Made up of more than 300 works of art by 200 artists (and rather hastily thrown together in less than a year), the mega exhibition carried the stated aim of bringing back France’s relevance as a center of contemporary art. By dividing the exhibition into 15 sections or “points de vue” (one curated by our very own Philippe Vergne), the exhibition’s organizers attempted to put some method to the madness, though inevitably the pieces within sections could ultimately sustain more of a conversation than the exhibition as a whole. To see all my photos of the exhibition click here.

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Unfortunately during my brief stay in Paris I didn’t manage to squeeze in a visit to another important art destination that’s been causing a stir lately. Namely, the Musée du Quai Branly, a newly christened museum of “primitive art” situated on the banks of the Seine. Also a pet project of Chirac, the museum (showing more than 300,000 works from Asia, Africa, Oceania and the Americas) has been accused of utterly failing to distinguish between the 21st-century multiculturalism it claims to aim for and good old fashioned high-minded colonialism. Setting the tone is the museum’s design, planned by Jean Nouvel, which hides the building within a deep forest of exotic flora. To read more see the NYT: Heart of Darkness in the City of Light.

 
 
by Lara Roy at 4:25 pm 2006-07-14
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During the August Free First Saturday program (August 5), Yoga instructor Jessica Rosenberg will lead an interactive movement tour through the Minneapolis Sculpture Garden. Its not only visitors bodies that move in the garden, look closely and you’ll find some sculptures that are pretty active themselves.

Mark Di Suvero Arikidea

A favorite for kids is Mark di Suvero’s massive Arikidea. For more than three decades di Suvero has been creating large-scale metal sculptures, often with moving parts made from balanced steel girders. Many of his sculptures invite viewers to swing on a suspended seat, flatbed, or tire. Arikidea is a sculpture you can stand under, sit on, or walk around. When you sit and swing on the wooden seat, three tons of balanced steel gently sways on cables.

Di Suvero admires a spider’s ability to build a web in space. The name of this sculpture is closely related to the Greek word for spider, arachnid. Next time you’re in the garden with a young friend, ask them:

How is this sculpture like a spider?

How are the wood swing and steel girders connected?

Which parts move?

How do you think this sculpture would look different in the winter?

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by Lara Roy at 4:19 pm 2006-07-13
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On Tuesday evening Walker’s family programs manager, Ashley Duffalo, and I taught the first session of a 4-part history of photography class at the new downtown central library- titled “Framing the World: Photography As Art” the class will delve into the early developments in photography and lead up through contemporary work. The focus of the class is not on the technical aspects of photography, but rather on the idea of photography as an art form, and what makes one picture a work of art, while another might be considered only documentation.

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The class came about in large part due to the current Walker exhibition Diane Arbus Revelations. In giving tours of a show like this, its possible to provide a good overview of one particular artist, but often not enough time to talk about the medium in general and how others have used it. This class will provide us with an opportunity to address larger issues, which hopefully will all come together during a guided tour of the show during the last session.

Photography can be a pretty sticky issue for people- we had some interesting discussions about the nature of images and how viewers thinks about and analyze them. In training Walker tour guides to give tours of the show, we talked about some ways to interpret images.

For example, some of the questions a viewer might ask include:

o What is the subject?

o Are there multiple subjects? If so, what is their relationship?

o Was the photograph posed/arranged, or candid?

o How is the subject framed? Is there space around the subject? Is it evenly spaced, what is the angle, distance?

o How do you think the photographer felt about the subject? How can you tell?

o What is the lighting like? Is it dark, bright, moody? What effect does the lighting have on your perception of the subject?

o How would describe the photograph? Blurry, sharp, dim, bright, shadowy, clear? What details seem to be emphasized?

o Can you tell when the photograph was taken? How? Do you think the time and place is important to your understanding of the image?

Obviously this doesn’t address everything, but its a start. I know in the coming sessions we will have some lively debates-we already heard from a few people with strong opinions about both Arbus’ work, as well as the work of contemporary photographers such as Jeff Wall.

As an aside, the Peoples’ University is a great program, run by the Friends of the Minneapolis Public Library, offering a wide variety of free courses for adults.

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by Masami at 5:04 pm 2006-07-11
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… and we’re gonna get ma-a-arried. Gee, I really love you and we’re gonna get ma-a-arried…

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In my nearly six years as a Walker employee, I’d never seen a wedding take place in the garden, though I’ve seen countless prom kids come by during the late springtime dusk to have their photo taken. That all changed last Friday when my longtime friend E.L. decided to get married in front of Spoonbridge and Cherry. What a gorgeous day for a wedding — bright, sunny, and warm with a cool breeze. Afterwards, we headed inside to have a post-ceremony late lunch at 20.21 Restaurant and Bar by Wolfgang Puck. General Manager Mark Latz was fantastic about accommodating our last-minute lunch reservation (for a party of 14, no less!) and our entire party agreed that the food and service were superb.

Last month, Eric blogged about Weblog Usability, specifically, how Walker blogs do not contain author bios nor photos. I’m taking the plunge now — that’s me in the white and red dress, second from the left. Hi, I’m Masami and I’m from Japan. My educational background is in modern European history, musicology, and French language and literature. I drank the Walker Kool-Aid in July 2000 and I’ve worn a number of hats here: Sales Associate, Assistant Manager, Membership Associate. I currently work in Development and am also a volunteer Tour Guide.

 
 
by Ashley at 6:10 pm 2006-07-07
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Last week-end families took the garden by storm to celebrate the 15th anniversary of Free First Saturday. Perhaps the most popular event of the day was the art-making activity, called “Salty Scene”, where both kids and parents learned that mixing salt and watercolor paint results in some pretty cool textural effects. We also supplied oil pastels, (similar to crayons but softer and oil-based) which created a resist with the watercolor paint so kids could write their name and combine drawing with painting.

This project is surprisingly simple and engaging to all ages. I was recently babysitting a 3- and 5-year old, and we spent a half hour at the table making “artistic chemistry”. To try it at home, you’ll need iodized table salt, watercolor paper (posterboard, card stock, or any heavy-weight paper will work), a watercolor paint set, brushes, crayons, and water. Follow these simple instructions:

  1. First make a drawing or write something in crayon.
  2. Then apply washes of watercolor paint. (The paint will not adhere to areas where crayon was used. )
  3. While the paint is wet, sprinkle salt onto the paper. A light dusting works best. Too much salt will form into small balls and could damage your paper.
  4. As washes dry, the salt crystals will suck up pigment gradually, creating light star-like shapes. (Start another painting while waiting for the first one to dry.) Once the painting is dry, brush off excess salt with your hand or a dry sponge.
  5. Experiment with various types of salt for different textures: sea salt, kosher salt, rock salt, etc. Crush larger salt crystals first before applying to paper.

Check out these salty scenes!

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