Blogs Centerpoints Staff

Gather by D’Amico’s Chef Josh Brown: best tastes of late summer

Coming on the heels of two new reviews for Gather (City Pages, Star Tribune),  this story was originally published in the September/October issue of Walker magazine; it’s accompanied by a recipe for chef Josh Brown’s raw-and-cooked vegetable salad. Besides the not-inconsiderable task of presiding over Gather by D’Amico, the Walker’s new restaurant that launched in June, chef Josh Brown [...]

Coming on the heels of two new reviews for Gather (City PagesStar Tribune),  this story was originally published in the September/October issue of Walker magazine; it’s accompanied by a recipe for chef Josh Brown’s raw-and-cooked vegetable salad.

Besides the not-inconsiderable task of presiding over Gather by D’Amico, the Walker’s new restaurant that launched in June, chef Josh Brown has been tending a new vegetable plot at home—his first of any size since he was a kid in rural Montana. “Watching everything growing has definitely been a source of inspiration for Gather,” he says.

Recently he sat down to talk seasonal food and look toward the summer transition into fall. For Brown, tomatoes are “one last end-of-summer hurrah” that, as he points out, can be had until early October. Rather than fuss with this fruit, he prefers to let its sweetness stand out: “I just eat them with salt, pepper, and olive oil, or I make my wife’s favorite dish: pasta with fresh tomatoes, basil, olive oil, garlic, and parmesan. Of course, it only works with excellent tomatoes.” Leeks, another late-summer favorite that the chef enjoys braising and pairing with swordfish, also become available in late summer. As greens like chard and kale come into their own, he uses a simple preparation he picked up from a fellow cook: “Add salt and a pat of butter to boiling water before blanching your greens—the butter sticks to them and they’re delicious served with chicken or beef.”

Given the locally sourced and seasonal focus of Gather, Brown develops new dishes monthly as certain ingredients reach their peak. But the raw and cooked salad endures on the menu—not just because it’s one of his personal favorites, but because its components change depending on what’s freshest. “As summer ends, we’ll be trading out the beans and asparagus, probably with Brussels sprouts and a root vegetable,” he says.

As these items come into season, Brown turns on the oven. “Parsnips, turnips, kohlrabi, beets, and the like are really good as a hash, diced up small and slowroasted,” he says. Kohlrabi in particular, a lesser-known member of the cabbage family, takes him instantly back to that large garden of his childhood. “It has always stood out in my mind—something about the way it grows, watching my mother and grandmother picking it. Food sparks so many vivid memories for me; it’s one of the reasons I love cooking.”

Josh Brown’s Raw & Cooked Salad with Mustard Vinaigrette
Serves 2. As Brown notes, this salad can change based on what’s in season, so swap out and add in vegetables — the key is freshness. 

3      sliced asparagus spears, lightly blanched
3 oz   fennel and fennel fronds
2 oz      sliced radish
3 oz   sliced haricot vert, lightly blanched
1 oz    Hong Kong scallion
lemon vinaigrette (see below)
1 oz    ricotta salata
6 slices     soft boiled egg (see below)

Eggs: Cover eggs in cold water in a saucepan; bring to a boil and turn the heat off. Let stand for 7 minutes, then put eggs into an ice bath.

Lemon vinaigrette (makes extra)
1/2 c.      lemon juice
1T        lemon zest
1T       Dijon mustard
2T        minced shallot
1C       extra-virgin olive oil
3T        chopped basil

Mix lemon, zest,Dijon, and shallot in a bowl; whisk in the olive oil, then add basil and season with salt and pepper.

Plate set up: Salt and pepper the eggs and place in triangles on two plates. Toss all vegetables with vinaigrette and place on the plates; top with ricotta salata.

 

 

Dwell: A Photo Caption Contest

To our wonderful, funny, and sarcastic readers and visitors– This month, Dwell features the Julie Snow-designed home of the Walker’s very own Andrew Blauvelt and Scott Winter. The first thing I did after I viewed the slideshow (or maybe even before) was pop over to the blog Unhappy Hipsters, whose sole purpose is to write [...]

"Best to keep the gingers behind bars."--Unhappy Hipsters blog

To our wonderful, funny, and sarcastic readers and visitors–

This month, Dwell features the Julie Snow-designed home of the Walker’s very own Andrew Blauvelt and Scott Winter. The first thing I did after I viewed the slideshow (or maybe even before) was pop over to the blog Unhappy Hipsters, whose sole purpose is to write tongue-in-cheek melancholy narratives for the photos in modern home design publications. I was rewarded with the picture and caption above.

Now it is your turn to show off your caption-writing prowess. Take a look through the entire Blauvelt/Winter residence slideshow (shot by Dean Kaufman), pick an image, and write a caption. Leave a comment with your contact information, a link to which photo you are captioning, and your caption.

The winner receives two tickets to the Yves Klein After Hours Preview Party on October 22.

I think this one has some possibilities:

Play nice and happy writing!

Expanding Access

In July 2009, the Walker Art Center celebrated the first of two years of funding from the MetLife Foundation for its Open Door Accessibility Initiative. The goal of the initiative is to be inclusive as possible when offering guided tours of our galleries and hands-on art-making experiences.  For this grant, our core audiences are people [...]

full group-Irwin

In July 2009, the Walker Art Center celebrated the first of two years of funding from the MetLife Foundation for its Open Door Accessibility Initiative. The goal of the initiative is to be inclusive as possible when offering guided tours of our galleries and hands-on art-making experiences.  For this grant, our core audiences are people who are blind, people who are deaf, and people who have cognitive disabilities, including those living with Alzheimer’s and dementia.  Existing access programs include:

  • Contemporary Journeys, tours and art-making for people with Alzheimer’s and their care partners
  • Touch Tours of the Walker collection (exploring objects through touch).
  • Verbal Description Tours, using descriptive language to convey visual details (also included in Touch Tours).
  • Multi-Sensory Tours, incorporating various props to allow visitors different points of entry to access artworks.
  • Large Print Exhibition Labels, available at the lobby desks.
  • Assisted Listening Devices for tours and events in the Cinema and McGuire Theater.
  • Qualified ASL interpretation upon request (four week’s notice required for tours and art labs, two week’s notice for Cinema and McGuire Theater events). 

We are also developing accommodations for these communities including: a Braille version of our visitor guide, tactile diagrams of select pieces in the Walker collection, new and more user friendly gallery stools and folding chairs, and a selection of audio described programs.

Members of local non-profit, arts, education, and disability communities along with Walker staff and volunteers have come together to form an access advisory group.  On January 12, our group met to discuss access initiatives at the museum.  We gathered in the Friedman Gallery, the site of Robert Irwin’s immersive installation Slant, Light, Volume.  It was important to meet and discuss accessibility in the context of a gallery, exactly where we intend to expand access.  As some of the members of the group are blind or have low vision, we began with a detailed verbal description of the installation.  A sign language interpreter was also on staff.

This was our first group meeting, so introductions came next, along with testimonials from people about memorable experiences with art museums.  This discussion was important in highlighting some of the individual needs and interests we are trying to address in the access initiative as well as the challenges we face.  The diversity of the group guarantees vibrant and broad discussions.

We continued by examining the grant goals and scope and existing programs, listed above.  We also mapped out future meetings and determined some essential details to be considered in our initiative, including:

  • Creating a welcoming environment
  • How to market our accessibility programming to the community
  • Where to turn attention for future funding

More info is to come.  Do you have suggestions on how the Walker can make the museum more accessible?  We’re listening!  Please post below.  Any questions or concerns you may have regarding accessibility may be directed to access@walkerart.org, or call the access line at 612.375.7564.  Coming next: an introduction to your accessibility group!

Getting married in James Turrell’s Sky Pesher

In March, my girlfriend and I decided to get married. Neither of us were keen on the idea of a long engagement and a complicated wedding planning process. After some consultation with family on availability, Memorial day weekend was our time. The short timeframe (just over two months) left us with more limited options for [...]

In March, my girlfriend and I decided to get married. Neither of us were keen on the idea of a long engagement and a complicated wedding planning process. After some consultation with family on availability, Memorial day weekend was our time.

The short timeframe (just over two months) left us with more limited options for location. We initially looked at getting married in the Cowles Conservatory, but it was booked for the dates we wanted. While scouting other locations in the Sculpture Garden and Loring Park, the idea of having the wedding in James Turrell’s Sky Pesher occurred to us. The seed was perhaps planted by the Skyscape/Soundscape concert series happening in Sky Pesher over the summer. After checking with our registration department, we had the OK to get married in the artwork.

Getting married Tunnel/Aisle

Our photographer, Kimberlee Whaley sent us a few initial pictures, which I’ve posted to flickr. And some of my new family also blogged about our wedding and posted photos.

We were initially worried that 30 people would be close quarters, but thankfully everyone was able to sit on the benches surrounding us during our ceremony. To the best of my knowledge, no one has been married in Sky Pesher before. We liked it as a location for the wedding. My wife and I are not religious, but there is a sanctity and spirtuality to the space. My wife is studying to become a landscape architect, so a connection to the earth is a big part of both of our lives right now.

After the wedding ceremony, we quickly ducked into the Sculpture Garden and got the necessary Spoonbridge and Cherry wedding shot, with jumping:

Spoonbridge and cherry wedding jumping

We kept things relatively casual and fun, having a delicious dinner at Azia, followed by bowling at Memory Lanes. In between dinner and bowling, a number of our guests slipped back to Sky Pesher to see the lights change at sunset:

Light show in Sky Pesher

Photo by Lisa Longley

Despite the fact that we got married there, my wife and I had never seen a sunrise or sunset in Sky Pesher. After all our guests had left town on Monday and we came back to see it for ourselves. The optical illusion of the sky descending into the space is subtle, but stunning, and it was the perfect way to cap a great weekend.

eavesdrop 07.02.08

[youtube]http://www.youtube.com/watch?v=w5eHlW2AQgs[/youtube] Without a vehicle like “American Idol” to discover the next great voice-over talent, programmers at the Walker turned to their own colleagues to pluck the voice for upcoming radio spots to promote the Merce Cunningham Dance Company’s Ocean. Here’s a glimpse from the casting couch at Wednesday’s auditions.

[youtube]http://www.youtube.com/watch?v=w5eHlW2AQgs[/youtube]

Without a vehicle like “American Idol” to discover the next great voice-over talent, programmers at the Walker turned to their own colleagues to pluck the voice for upcoming radio spots to promote the Merce Cunningham Dance Company’s Ocean. Here’s a glimpse from the casting couch at Wednesday’s auditions.

Curating beyond our walls

Walker assistant curator Yasmil Raymond juried Open Door 4, the the fourth annual juried exhibition at Rosalux Gallery, an artist-run co-op, at Open Book in Minneapolis. Raymond sifted through more than 200 entries to select 15 artists for this show: Matt Bakkom, Greg Carideo, Sarah Christianson, Jennifer Danos, Jan Estep, Gregory Euclide, Mark Fisher, Luisa [...]

Walker assistant curator Yasmil Raymond juried Open Door 4, the the fourth annual juried exhibition at Rosalux Gallery, an artist-run co-op, at Open Book in Minneapolis.

Raymond sifted through more than 200 entries to select 15 artists for this show: Matt Bakkom, Greg Carideo, Sarah Christianson, Jennifer Danos, Jan Estep, Gregory Euclide, Mark Fisher, Luisa F. Garcia Gomez, Caroline Kent, Janet Lobberecht, Jennifer Nevitt, Tim Roby, Chad Rutter, Tony Sunder and Aaron Van Dyke. Bakkom recently mentored teens from the Walker’s Teen Arts Council on their Collections Project.

Opening reception for Open Door 4 is 7-10 pm Saturday. The exhibition is up through June 29.

Talk with Vergne June 12, Vote Yes November 4

Walker Deputy Director and Chief Curator Philippe Vergne is lending his perspective and voice to a June 12 panel discussion on the current and future states of the arts in Minnesota. Free to the public, the discussion is 5:30 pm at the Minneapolis Institute of Art. Joining Vergne at a long table are Kaywin Feldman [...]

Walker Deputy Director and Chief Curator Philippe Vergne is lending his perspective and voice to a June 12 panel discussion on the current and future states of the arts in Minnesota. Free to the public, the discussion is 5:30 pm at the Minneapolis Institute of Art.

Joining Vergne at a long table are Kaywin Feldman (executive director, Minneapolis Institute of Arts), Jocelyn Hale (executive director, Loft Literary Center), Lily Schwartz (director of Pops and Special Projects, Minnesota Orchestra), John Miller-Stephany (associate artistic director, Guthrie Theater), and Vickie Benson (McKnight Foundation program director for the arts). Moderating is FOX9 news anchor Robyne Robinson.

Expect some back-and-forth (mostly forth) about the “Vote Yes” ballot initiative — more formally known as the Clean Water, Land and Legacy Amendment. The Walker is among many arts (i.e. cultural legacy) institutions advocating the measure, which calls for amending the Minnesota state constitution to add and dedicate three-eighths of a cent on every dollar of taxable sales (think three extra pennies for every $10 you spend at retail) to environmental, outdoors, sporting and arts organizations.

If recent history is an indication, those extra pennies would add up to about $300 million each year (19.25 percent of that will go toward arts/culture). State and regional arts councils would administer the arts funding, redistributing it through existing grant programs. The rest goes to protect, enhance, and/or restore Minnesota’s drinking water sources, wetlands, prairies, forests, lakes, rivers, steams, and groundwater, wildlife habitat, and parks and trails.

On the surface, the arts might seem the round peg on the square board. After all, where else would you find painters and hunters in the grip of solidarity? But proponents are wrapping all the interests into one pitch slogan: “Protect the Minnesota you love.” And who can argue with clean water?

The Walker is asking you to join Vergne in November by saying Vote Oui.

Interviewed on Flak Radio

Last week I was interviewed on Flak Radio, the weekly podcast for Flak Magazine. I sat down with James Norton and Taylor Carik to discuss The UnConvention. If you’re confused about what that is, the podcast is a good way to find out. Also discussed: Taylor Carik as the Twin Cities best Twin Cities blogger, [...]

My Favorite mARTian

Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own worlds? Answers to these questions aren’t posed only at the Roswell UFO Museum and Research Center. They also bubble up in Life on Mars, the theme for the 55th annual Carnegie International — America’s most enduring contemporary [...]

Are we alone in the universe?

Do aliens exist?

Or are we, ourselves, the strangers in our own worlds?

Answers to these questions aren’t posed only at the Roswell UFO Museum and Research Center. They also bubble up in Life on Mars, the theme for the 55th annual Carnegie International — America’s most enduring contemporary art exhibition. Former Walker curator Douglas Fogle, now curator of contemporary art at the Carnegie Museum of Art in Pittsburgh, organized what he describes as a “collective self-portrait of humanity colliding with the economic and political events that define daily existence.”

Given the theme, it’s unsurprising that among the nearly 40 artists represented here, the vast majority are men, including Doug Aitken, Bruce Conner, and Paul Thek. In this video interview with WDUQ-90.5FM, Fogle calls the title — the first Carnegie International exhibition to bear one — “a metaphor about other worlds. The best contemporary art takes you to other worlds.” The exhibition opens Saturday and flies to another galaxy January 2009.

A perfect day in Minneapolis

How would you spend a perfect day in Minneapolis? This is a question Walker Teen Programs Manager Witt Siasoco answered in a two-page spread in Giant Robot, the fantastic Asian pop culture magazine. Like any good day, it starts with coffee and breakfast, followed by a mysteriously short one-hour workday. There are scans of the [...]

Witt in the Guthrie TheaterHow would you spend a perfect day in Minneapolis? This is a question Walker Teen Programs Manager Witt Siasoco answered in a two-page spread in Giant Robot, the fantastic Asian pop culture magazine. Like any good day, it starts with coffee and breakfast, followed by a mysteriously short one-hour workday. There are scans of the article up here: page 1, page 2.

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