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Don’t let anyone see your armpits

MinnPost has an interesting piece today from Ron Way, who mixes an assessment of Walker on the Green with a short history lesson on miniature golf. Among other “hmm … you don’t say?” nuggets, Way drops this factoid: (The) first miniature golf course was the Ladies’ Putting Club in St. Andrews, Scotland, formed in 1867. [...]

MinnPost has an interesting piece today from Ron Way, who mixes an assessment of Walker on the Green with a short history lesson on miniature golf. Among other “hmm … you don’t say?” nuggets, Way drops this factoid:

(The) first miniature golf course was the Ladies’ Putting Club in St. Andrews, Scotland, formed in 1867. Back then, it was taboo for women to swing a golf club more than shoulder high.

Some taboos are more meritorious than others. At least the Walker doesn’t discriminate with its taboos — anyone playing Walker on the Green will get a finger-wagging for swinging a club more than shoulder high.

eavesdrop 05.27.08

[youtube]http://youtube.com/watch?v=qPce12kb0Fk[/youtube] Swing into the opening party for Walker on the Green: Artist-Designed Mini Golf. The course is open through Labor Day.

the biggest self-portrait in the world

And I thought Chuck Close’s Big Self Portrait was huge… The drawing above was created using a GPS unit housed in a briefcase that was shipped all over the world, creating a self-portrait of the artist spanning the entire globe. via Eyeteeth.

And I thought Chuck Close’s Big Self Portrait was huge…

The drawing above was created using a GPS unit housed in a briefcase that was shipped all over the world, creating a self-portrait of the artist spanning the entire globe.

via Eyeteeth.

Talk with Vergne June 12, Vote Yes November 4

Walker Deputy Director and Chief Curator Philippe Vergne is lending his perspective and voice to a June 12 panel discussion on the current and future states of the arts in Minnesota. Free to the public, the discussion is 5:30 pm at the Minneapolis Institute of Art. Joining Vergne at a long table are Kaywin Feldman [...]

Walker Deputy Director and Chief Curator Philippe Vergne is lending his perspective and voice to a June 12 panel discussion on the current and future states of the arts in Minnesota. Free to the public, the discussion is 5:30 pm at the Minneapolis Institute of Art.

Joining Vergne at a long table are Kaywin Feldman (executive director, Minneapolis Institute of Arts), Jocelyn Hale (executive director, Loft Literary Center), Lily Schwartz (director of Pops and Special Projects, Minnesota Orchestra), John Miller-Stephany (associate artistic director, Guthrie Theater), and Vickie Benson (McKnight Foundation program director for the arts). Moderating is FOX9 news anchor Robyne Robinson.

Expect some back-and-forth (mostly forth) about the “Vote Yes” ballot initiative — more formally known as the Clean Water, Land and Legacy Amendment. The Walker is among many arts (i.e. cultural legacy) institutions advocating the measure, which calls for amending the Minnesota state constitution to add and dedicate three-eighths of a cent on every dollar of taxable sales (think three extra pennies for every $10 you spend at retail) to environmental, outdoors, sporting and arts organizations.

If recent history is an indication, those extra pennies would add up to about $300 million each year (19.25 percent of that will go toward arts/culture). State and regional arts councils would administer the arts funding, redistributing it through existing grant programs. The rest goes to protect, enhance, and/or restore Minnesota’s drinking water sources, wetlands, prairies, forests, lakes, rivers, steams, and groundwater, wildlife habitat, and parks and trails.

On the surface, the arts might seem the round peg on the square board. After all, where else would you find painters and hunters in the grip of solidarity? But proponents are wrapping all the interests into one pitch slogan: “Protect the Minnesota you love.” And who can argue with clean water?

The Walker is asking you to join Vergne in November by saying Vote Oui.

Call for submissions for artist-designed political yard signs

Yard signs are as ubiquitous and familiar to the American political landscape as baby-kissing and stump speeches, combining catchy images and pithy campaign slogans to increase visibility for vying candidates and their parties’ messages. In honor of this election season, My Yard Our Message turns this tradition of political ephemera on its ear with a [...]

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Yard signs are as ubiquitous and familiar to the American political landscape as baby-kissing and stump speeches, combining catchy images and pithy campaign slogans to increase visibility for vying candidates and their parties’ messages. In honor of this election season, My Yard Our Message turns this tradition of political ephemera on its ear with a unique national competition: we’re putting the message and the creative design for these political yard signs in the hands of artists and then–in true democratic fashion–you, the people, will vote among the entries to determine a selection of fifty winners, whose designs will be made available to order as full-sized political yard-signs after August 1.

Now through June 30, artists and designers are invited to submit yard signs to MyYardOurMessage.com around the theme of what it means to actively participate in a democracy. Entry specifications and the submission form are available on MyYardOurMessage.com. The full call for entries is available on mnartists.org.

My Yard Our Message, a project conceived by Scott Sayre, is produced by the Walker Art Center and mnartists.org in collaboration with The UnConvention.

The Mr. Rogers of Contemporary Art

[youtube]http://youtube.com/watch?v=Si7DxOu31V0[/youtube] part one [youtube]http://youtube.com/watch?v=aS7U2y8fDrY&feature=related[/youtube] part two I found an odd little series on YouTube called Each & Every One of You, which the creators describe as “a sincere but irreverent 1980s cable TV-style show” that “teaches ordinary people how to make contemporary installation art.” The host, Don Goodes — a former art critic and self-styled [...]

[youtube]http://youtube.com/watch?v=Si7DxOu31V0[/youtube]

part one

[youtube]http://youtube.com/watch?v=aS7U2y8fDrY&feature=related[/youtube]

part two

I found an odd little series on YouTube called Each & Every One of You, which the creators describe as “a sincere but irreverent 1980s cable TV-style show” that “teaches ordinary people how to make contemporary installation art.” The host, Don Goodes — a former art critic and self-styled Mr. Rogers living in Montreal — dedicates this two-part episode (warning: total running time is about 30 minutes) to what he calls Political Accumulation Installation.

“We begin by taking a stand — the stand of criticizing Western culture for its misdoings,” Goodes says, before leading viewers through the other three essential steps to contemporary installation art: Making aesthetic decisions, developing the concept and, ultimately, making the work. My favorite segment, in Part 2, is dedicated to “rejected artists,” featuring interviews with artists “whose projects were rejected by art galleries, art councils or whatever.”

The Miss Rockaway Armada at MASS MoCA

Off Center’s dear old friend Paul Schmelzer wrote a series of posts on his own blog, eyeteeth, about The Miss Rockaway Armada back in 2006. Paul hung out with the collective when the group of artists, performers, and adventurers were congregating in Minneapolis to begin their journey down the Mississippi river on homemade rafts. A [...]

rockaway.jpg

Off Center’s dear old friend Paul Schmelzer wrote a series of posts on his own blog, eyeteeth, about The Miss Rockaway Armada back in 2006. Paul hung out with the collective when the group of artists, performers, and adventurers were congregating in Minneapolis to begin their journey down the Mississippi river on homemade rafts. A traveling community, the artists perform, give workshops, and create spectacles along the journey.

In April, MASS MoCA opened an installation and interactive exhibition by the collective: Being Here Is Better Than Wishing We’d Stayed. There are bunches more images of the installation on the Armada’s blog, including the one below.

massmocainstallation-18.jpg

From the river: Miss Armada flickr pool

And here’s a clip of the ferris wheel in action (pictured at top, photo via Flickr user tchandler.)

Henry Darger, meet Amy Cutler

The American Folk Art Museum has the largest collection of Henry Darger‘s work and currently are exhibiting Dargerism: Contemporary Artists and Henry Darger. Darger was an untrained artist living in Chicago whose life-work, In the Realms of the Unreal, was hidden until after his death in 1973. Realms tells the story of a child rebel [...]

The American Folk Art Museum has the largest collection of Henry Darger‘s work and currently are exhibiting Dargerism: Contemporary Artists and Henry Darger. Darger was an untrained artist living in Chicago whose life-work, In the Realms of the Unreal, was hidden until after his death in 1973. Realms tells the story of a child rebel army dubbed The Vivian Girls as they battle against their oppressors. The Walker screened the documentary on Darger’s life, In the Realms of the Unreal.

[youtube]http://www.youtube.com/watch?v=MSzzirIP0No[/youtube]

Darger compiled his work into phone books, and often created two sided pieces that exceeded 10′ in length. One of these large-scale works was featured in the exhibition Body Politics.

The new show at the Folk Art Museum positions Darger’s work next to 11 contemporary artists, one of them being Amy Cutler. I first encountered Cutler’s work in the exhibition Dialogues: Amy Cutler/David Rathman and quickly fell in love with her whimsical, yet sour drawings. Light-bulbs went a’flashing off in my head as I looked at Cutler’s young girls with their 20′ braided pony-tails next to Darger’s unsettling intersexed child-battalion.

By the way, there’s a cute band called The Vivian Girls and they’re playing in Minneapolis on June 10 at Future Pasture. I mean, they’re no Best Friends Forever (but who is, really?).

eavesdrop 05.07.08

[youtube]http://www.youtube.com/watch?v=_aIa3JyddbQ[/youtube] Performances of Trisha Brown’s Planes happen on the half-hour between 11 am to 2 pm Saturday and 6 to 9 pm Thursday, in the Walker’s Medtronic Gallery, through the run of the exhibition of Brown’s drawings, So That the Audience Does Not Know Whether I Have Stopped Dancing. Here, three dancers perform at May’s [...]

[youtube]http://www.youtube.com/watch?v=_aIa3JyddbQ[/youtube]

Performances of Trisha Brown’s Planes happen on the half-hour between 11 am to 2 pm Saturday and 6 to 9 pm Thursday, in the Walker’s Medtronic Gallery, through the run of the exhibition of Brown’s drawings, So That the Audience Does Not Know Whether I Have Stopped Dancing. Here, three dancers perform at May’s Free First Saturday (about a dozen are on rotation in this trio) and, afterward, discuss the work.

And the Webby goes to …

The Cooper-Hewitt National Design Museum, at the Smithsonian, is among winners of the 12th annual Webby Awards — the Internet’s version of the Oscars — as Best Cultural Institution for its Web site for Design for the Other 90%. The exhibition opens May 24 in the Minneapolis Sculpture Garden. As it happens, Smithsonian Education was [...]

The Cooper-Hewitt National Design Museum, at the Smithsonian, is among winners of the 12th annual Webby Awards — the Internet’s version of the Oscars — as Best Cultural Institution for its Web site for Design for the Other 90%. The exhibition opens May 24 in the Minneapolis Sculpture Garden. As it happens, Smithsonian Education was nominated in the same category, earning the People’s Choice award there. The National Gallery of Art earned nominations in two categories (Art and Podcasts).

The Museum of Modern Art won a Webby in the Art category for its illuminating site detailing Richard Serra’s 2007 retrospective. Throughout, you’ll find captivating video, vivid photography and revealing interviews with Serra, who opens his intensive process and gives a detailed tour of his work on video.

No other American arts institution earned a nomination in the Art and Best Cultural Institution categories.

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