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My Favorite mARTian

Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own worlds? Answers to these questions aren’t posed only at the Roswell UFO Museum and Research Center. They also bubble up in Life on Mars, the theme for the 55th annual Carnegie International — America’s most enduring contemporary [...]

Are we alone in the universe?

Do aliens exist?

Or are we, ourselves, the strangers in our own worlds?

Answers to these questions aren’t posed only at the Roswell UFO Museum and Research Center. They also bubble up in Life on Mars, the theme for the 55th annual Carnegie International — America’s most enduring contemporary art exhibition. Former Walker curator Douglas Fogle, now curator of contemporary art at the Carnegie Museum of Art in Pittsburgh, organized what he describes as a “collective self-portrait of humanity colliding with the economic and political events that define daily existence.”

Given the theme, it’s unsurprising that among the nearly 40 artists represented here, the vast majority are men, including Doug Aitken, Bruce Conner, and Paul Thek. In this video interview with WDUQ-90.5FM, Fogle calls the title — the first Carnegie International exhibition to bear one — “a metaphor about other worlds. The best contemporary art takes you to other worlds.” The exhibition opens Saturday and flies to another galaxy January 2009.

Cover Up: More Than Meets the Eye

There are a couple notable distinctions to the May/June issue of Walker magazine. The first is the cover — or, more accurately, two covers. Open the front, which bows to the 20th anniversary of the Minneapolis Sculpture Garden, and you’ll find a second cover, featuring an untitled photo from Richard Prince’s cowboy series — a [...]

May June Cover WrapThere are a couple notable distinctions to the May/June issue of Walker magazine. The first is the cover — or, more accurately, two covers. Open the front, which bows to the 20th anniversary of the Minneapolis Sculpture Garden, and you’ll find a second cover, featuring an untitled photo from Richard Prince’s cowboy series — a nod to the Walker’s Prince exhibition. Why two covers? The short of it: Twice the happiness. The medium of it: We recognize two programs worthy of the cover’s spotlight.

By the way, in house, we don’t call the first cover a cover (not if you want to preserve your kneecaps). It’s a wrap — the first in the short history of the magazine in its current format. It’s printed on rough paper stock and, if one were so inclined, easily pulled away from the glossy magazine proper. Hypothetically, one could carefully pull the wrap away and present the May/June issue with a Prince cover. Nobody would be the wiser (indeed, the issue date and magazine logo are reserved for the inner cover).

Who would do such a thing? And why? You could pin the entire summer slate of Garden-related events (they appear on the back of the wrap) on your refrigerator or on your bedroom wall, alongside your black-light posters. Perhaps you’d like a Prince keepsake on the cheap. The Walker doesn’t recommend engineering this cover separation at home — or at your own museum — nor is the Walker responsible for any ensuing injury.

The second distinction is the illustration adorning the wrap. Again, this is new to the magazine, which traditionally devotes the cover to artwork drawn from a current/upcoming exhibition or publicity still from a performance group or film. This tableau is drenched in PMS 802 — the official color of the summer-long Garden anniversary celebration. Dare to imagine your summer day in the sculpture garden bathed in day-glo green.

I thought that pose looked familiar…

I had to do a double-take when I saw these images on a blog. Turns out it was what I thought it probably wasn’t: Richard Prince pays homage to…Richard Prince.

battlestar1.jpg

I had to do a double-take when I saw these images on a blog. Turns out it was what I thought it probably wasn’t: Richard Prince pays homage to…Richard Prince. (more…)

eavesdrop 04.23.08

To commemorate National Dance Week, Walker Art Center performing arts program manager Michele Steinwald sent out a call to 300 people in the Twin Cities dance community to gravitate to the Minneapolis Sculpture Garden Tuesday afternoon for a group photo in front of Spoonbridge and Cherry. Only two dozen showed up, not counting two dogs [...]

To commemorate National Dance Week, Walker Art Center performing arts program manager Michele Steinwald sent out a call to 300 people in the Twin Cities dance community to gravitate to the Minneapolis Sculpture Garden Tuesday afternoon for a group photo in front of Spoonbridge and Cherry. Only two dozen showed up, not counting two dogs in tow, but Steinwald sees it as the launching pad to an annual photo shoot to mark this otherwise under-the-radar week.

Frida’s Flower

Frida Kahlo’s art and story speak to untold thousands — or a specific number of thousands, as defined by the Walker’s attendance during the run of Frida Kahlo. For the author of Teleflora’s Flower Blog (“for everyone who’s as passionate about flowers as we are.”), who saw the exhibition in Philadelphia, Frida’s connection to nature [...]

Frida Kahlo’s art and story speak to untold thousands — or a specific number of thousands, as defined by the Walker’s attendance during the run of Frida Kahlo. For the author of Teleflora’s Flower Blog (“for everyone who’s as passionate about flowers as we are.”), who saw the exhibition in Philadelphia, Frida’s connection to nature and, particularly, flowers is undeniable. That connection appeared further enhanced, she writes, by the flower arrangement for an event at the Philadelphia Museum of Art. The author contacted Walker associate curator Betsy Carpenter, who organized the exhibition’s premier at the Walker last fall, to elaborate on that connection.

Carpenter, quoted in Flower Blog, says “Kahlo may have also been drawn to flowers because she was fascinated with the theme of fertility, which reinforced her conviction of the unity of all things–human beings, flower and plants, animals, the earth, the sun and moon, and the universe. This idea of interconnectedness prompted her to paint several hybrids that combine plant and animal forms with human anatomy. This fascination with fertility may also have come in part from Kahlo’s thwarted wish to have a child.”

eavesdrop 04.15.08

[youtube]http://www.youtube.com/watch?v=ZFQzJhMeTH4[/youtube] Photographer Nubar Alexanian has worked alongside, behind the scenes and on the sets with filmmaker Errol Morris for 15 years. Alexanian accompanied Morris to the Walker Tuesday to screen and discuss Morris’ new film, Standard Operating Procedure. Here, in the Walker Art Lab, Alexanian discusses Nonfiction, his new photo book drawn from the sets [...]

[youtube]http://www.youtube.com/watch?v=ZFQzJhMeTH4[/youtube]

Photographer Nubar Alexanian has worked alongside, behind the scenes and on the sets with filmmaker Errol Morris for 15 years. Alexanian accompanied Morris to the Walker Tuesday to screen and discuss Morris’ new film, Standard Operating Procedure. Here, in the Walker Art Lab, Alexanian discusses Nonfiction, his new photo book drawn from the sets of Morris’ films.

eavesdrop 04.09.08

[youtube]http://www.youtube.com/watch?v=0auy5H1wBv0[/youtube] Marc Bamuthi Joseph and his collaborators marked their steps Wednesday afternoon in a tech rehearsal for the premiere of the break/s. Real performances are today through Saturday at the Walker.

[youtube]http://www.youtube.com/watch?v=0auy5H1wBv0[/youtube]

Marc Bamuthi Joseph and his collaborators marked their steps Wednesday afternoon in a tech rehearsal for the premiere of the break/s. Real performances are today through Saturday at the Walker.

Save Polaroid?

There’s something eerily familiar about this old polaroid ad from the 60′s… If you haven’t already heard, Polaroid Corporation is killing off all of it’s instant film production. It’s demise is likely to be complete as early as 2009. In fact, our local camera shop – West Photo – claims to be completely out of [...]

1960's Polaroid ad

There’s something eerily familiar about this old polaroid ad from the 60′s…

If you haven’t already heard, Polaroid Corporation is killing off all of it’s instant film production. It’s demise is likely to be complete as early as 2009. In fact, our local camera shop – West Photo – claims to be completely out of certain types already and the distributor will not take any new orders.

If you’re seriously worried, be sure to check out savepolaroid.com.

Most consumer-fans of polaroid film shouldn’t fret too much as the patent will certainly be licensed to other companies willing to manufacture it. In fact, Fuji already makes a color version of the pack film for certain cameras, and it’s been rumored that they will be taking on more, most likely going after the fringe market of the 600 series and Time-Zero equivalents.

Some of us in the professional market won’t be so lucky. Most large format instant film will probably disappear, along with our ability to proof and check focus when shooting large format film. Believe it or not, there are still clients who demand 4×5 transparencies for reproduction.

What can we expect from artists like Chuck Close, Lucas Samaras, and Mike Slack who have made the medium part of their trademark styles? Even if they are able to hoard the last remaning boxes, the stuff has a shelf life of less than a year. As aptly stated at savepolaroid.com “Best before: It’s too late”

A Failed Attempt at Finding the Spiral Jetty Leads to Helpful Tips for a Successful Jetty Jaunt

I was hesitant to write this post, as it means confessing that I attempted the pilgrimage to Robert Smithson’s sublime earthwork Spiral Jetty (1970) and failed. It still hurts to admit it. With failure comes opportunity — this is what I’m telling myself — and I’ve decided to share what I learned on my foiled [...]

I was hesitant to write this post, as it means confessing that I attempted the pilgrimage to Robert Smithson’s sublime earthwork Spiral Jetty (1970) and failed. It still hurts to admit it.

With failure comes opportunity — this is what I’m telling myself — and I’ve decided to share what I learned on my foiled trek to the Spiral Jetty, so that your path, should you choose to seek the work, is clearer.

If you follow the Dia Art Foundation’s driving instructions, please note that the first directive is incorrect. If you’re traveling from Salt Lake City you’re looking for exit 365 and NOT exit 368, which doesn’t exist. To my knowledge the remaining directions given by Dia are correct and I wish I had trusted them. They’re more akin to prose than driving instructions, but are probably the best resource available.

Even the park service employee at the Golden Spike National Historic Site, which you pass on your way to the Spiral Jetty, didn’t have useful information for Spiral Jetty seekers. I believe her response to my request for directions was, “ Take a left at the first fork, a right at the second fork and then it’s somewhere beyond that second fork. No one’s ever come back to tell me if they found it, so good luck.” Great.

In addition to Dia’s instructions, here are a few tips that should ease your journey:

  • I normally don’t encourage people to drive 4-wheel drive high-clearance vehicles; however, you will potentially destroy the alignment of your Prius if you attempt to drive it on the lake shore “ road,” which is the last leg of your journey. You really need a vehicle that can aptly handle deep mud, large rocks and encroaching scrub brush. This is not your typical dirt road. It’s treacherous.
  • Once you reach the jetty shown below DO NOT STOP. Here is where I made my mistake. I didn’t follow my gut, which was telling me that this jetty, created in the 1920s to assist in oil exploration, didn’t look right. Do not stand on the precarious mounts of basalt convincing yourself that you see a slight curve beginning way out in the lake. There is no curve and this is not the Jetty. It would be great if there were a physical sign driving this point home.

Wrong Jetty

  • Be prepared to hike. Dress warmly if it’s cold and dress sparsely if it’s warm. Bring water and wear shoes that can handle rugged terrain.
  • Download Google Earth, do a search for Spiral Jetty and carry this Google Earth satellite image with you, as it should show the poser jetty and the Sprial Jetty.

For a taste of what it might be like to make a successful pilgrimage to Smithson’s work, check out the following video: [youtube]http://www.youtube.com/watch?v=oNrorfUNrdE[/youtube]

The Walker has several Smithson works in its collection such as Leaning Strata (1968) and a film from the Ruben Film/Video Study Collection, directed by Robert Smithson, which looks at the conception and execution of Spiral Jetty.

In the news talks are intensifying over whether oil drilling will be allowed across the lake from Spiral Jetty. Here’s the latest in an article by Kirk Johnson for the New York Times dated March 27, 2008.

The future of the Spiral Jetty’s remote home is up in the air. It would seem there is no place too remote for industry to come knocking.

eavesdrop 04.01.08: Bamuthi in the house

[youtube]http://www.youtube.com/watch?v=pOArYHrfVqg[/youtube] On the Walker Art Center calendar, you’ll find dates (April 10-12) for the premiere of the break/s, Marc Bamuthi Joseph’s new dance/theater piece. What you won’t see on the calendar are the weeks Bamuthi spent here in January and February leading a residency with local teen poets and videographers. This video opens a window [...]

[youtube]http://www.youtube.com/watch?v=pOArYHrfVqg[/youtube]

On the Walker Art Center calendar, you’ll find dates (April 10-12) for the premiere of the break/s, Marc Bamuthi Joseph’s new dance/theater piece. What you won’t see on the calendar are the weeks Bamuthi spent here in January and February leading a residency with local teen poets and videographers. This video opens a window into the residency–the first half marking the beginnings of the residency, the second half delving into the teens’ work in February. The fruits of their labor, inspired by the upcoming Republican National Convention in St. Paul, are on display in a free program Thursday in the Walker Cinema.

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